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Literary space represents an author's model of the world, expressed in the language of spatial representation. In a literary work, space models different relations of the world-picture: temporary, social, ethical and others.
In 1959 M. L. Rosenthal first used the term "confessional" in a review of Robert Lowell's Life Studies entitled "Poetry as Confession". [6] Rosenthal differentiated the confessional approach from other modes of lyric poetry by way of its use of confidences that (Rosenthal said) went "beyond customary bounds of reticence or personal embarrassment". [7]
Personal narrative (PN) is a prose narrative relating personal experience usually told in first person; its content is nontraditional. [1] "Personal" refers to a story from one's life or experiences. "Nontraditional" refers to literature that does not fit the typical criteria of a narrative.
Modern lyric poetry is a formal type of poetry which expresses personal emotions or feelings, typically spoken in the first person. [1] The term for both modern lyric poetry and modern song lyrics derives from a form of Ancient Greek literature , the Greek lyric , which was defined by its musical accompaniment, usually on an instrument known as ...
The World Republic of Letters is a 1999 book by French literary critic Pascale Casanova.Published in English translation in 2004, the book was hailed as an important text that applied the sociological concepts developed by Pierre Bourdieu to an analysis of the world literary system by which books are written and consecrated as important works of literature, an economy of prestige that centers ...
Proxemics is the study of human use of space and the effects that population density has on behavior, communication, and social interaction. [1] Proxemics is one among several subcategories in the study of nonverbal communication, including haptics (touch), kinesics (body movement), vocalics (paralanguage), and chronemics (structure of time).
Echtra – pre-Christian Old Irish literature about a hero's adventures in the Otherworld or with otherworldly beings. [15] Lost world [16] Nautical fiction; Picaresque novel – depicts the adventures of a roguish, but "appealing hero", of low social class, who lives by his wits in a corrupt society. Robinsonade – a "castaway narrative". [17]
The title of the essay comes from Woolf's conception that "a woman must have money and a room of her own if she is to write fiction". [2] The narrator of the work is referred to early on: "Here then was I (call me Mary Beton, Mary Seton, Mary Carmichael or by any name you please—it is not a matter of any importance)". [8]