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In addition to instrumentation techniques, performers are asked to wear half black masks. [1] It is highly suggested that whenever possible the performance be done under blue lighting. [ 1 ] The cello is tuned scordatura , [ 2 ] and the piece requires the use of a grand piano as the techniques required would not be possible on an upright model.
Perhaps the most original of these is produced by the soprano singing a kind of fantastic vocalise (based on purely phonetic sounds) into an amplified piano. The singer's voice echoes as the piano strings reverberate sympathetically with the singer. In the last movement, a boy soprano joins the soprano.
There are a number of pieces which require a singer to lean over a (sometimes amplified) piano and sing directly into the strings. If the strings are not damped, the effect is to start audible sympathetic vibrations in the piano. By far the most famous piece to use this technique is Ancient Voices of Children by George Crumb. [citation needed]
Exercises 21 - 43: Labeled "further exercises for the development of a virtuoso technique." This more difficult section is meant to be played after the pianist has fully mastered Part 1. Part 2 includes scales and arpeggios. Exercises 44 - 60: Labeled "virtuoso exercises for mastering the greatest technical difficulties."
This is a list of musical compositions that employ extended techniques to obtain unusual sounds or instrumental timbres. Hector Berlioz "Dream of Witches' Sabbath" from Symphonie Fantastique. The violins and violas play col legno, striking the wood of their bows on the strings (Berlioz 1899, 220–22). Heinrich Ignaz Franz von Biber; Battalia ...
Instead it assumes the student has mastered standard piano technique and has reached a virtuoso level. Busoni proceeds by adding refinements, short cuts, and unusual solutions for pianistic problems encountered in a performing artist's repertoire. The included exercises and examples reflect Busoni's own special, but diverse, interests and ...
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