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An ouroboros in a 1478 drawing in an alchemical tract [1] The ouroboros or uroboros (/ ˌ j ʊər ə ˈ b ɒr ə s /; [2] / ˌ ʊər ə ˈ b ɒr ə s / [3]) is an ancient symbol depicting a snake or dragon [4] eating its own tail. The ouroboros entered Western tradition via ancient Egyptian iconography and the Greek magical tradition.
A symbol invented by John Dee, alchemist and astrologer at the court of Elizabeth I of England. It represents (from top to bottom): the moon; the sun; the elements; and fire. Ouroboros: Ancient Egypt and Persia, Norse mythology: A serpent or dragon consuming its own tail, it is a symbol of infinity, unity, and the cycle of death and rebirth ...
The first humans of hers became high-class, but second ones became low-class. Greek cosmological myths tell of how Ophion the snake incubated the primordial egg from which all created things were born. The classical symbol of the Ouroboros depicts a snake in the act of eating its own tail. This symbol has many interpretations, one of which is ...
Short title: Ouroboros; Software used: Adobe Illustrator CS3: Date and time of digitizing: 20:54, 11 April 2008: File change date and time: 20:54, 11 April 2008
The book includes a foreword by Jung, who praises it and compares its emphasis on "matriarchal symbolism", and use of the symbol of the ouroboros, to his own work. Jung credits Neumann with making a valuable contribution to a psychology of the unconscious by placing the concepts of analytical psychology on an evolutionary basis.
Archaic and Classical Greek Art (1998), by Robin Osborne in the Oxford History of Art. The Oxford History of Art is a monographic series about the history of art, design and architecture published by Oxford University Press. [1] It combines volumes covering specific periods with thematic volumes.
Why would the "Worm Ourobouros" be placed underneath "Legend of Dragoon"--The "Worm" is far more focused on the Ouroborous as a symbol that drives the events of the book; the book shouldn't just be a small footnote eclipsed by these consistent mentions of cameos in video games!
The ancient Greek concept of art (in Greek, "techne " —the root of "technique" and "technology"), with the exception of poetry, involved not freedom of action but subjection to rules. In Rome, the Greek concept was partly shaken, and visual artists were viewed as sharing, with poets, imagination and inspiration.