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A sense of responsibility led him to hard and prolific work, [2] and one of the results of his activity was the String Sextet. Dvořák's German publisher Simrock offered the work to his friend and collaborator Joseph Joachim (famous violinist and leader of a string quartet), and he together with other artists performed the work privately on 19 ...
Symfonie č. 9 e moll „Z nového světa“ Symphony No. 9 in E minor "From the New World" orchestra 179: 96: 1893: Smyčcový kvartet č. 12 F dur „Americký“ String Quartet No. 12 in F major "American" 2 violins, viola and cello: 180: 97: 1893: Smyčcový kvintet č. 3 Es dur „Americký“ String Quintet No. 3 in E ♭ major "American"
From 2007 to 2015, the IMSLP / Petrucci Music Library used a logo based on a score. The score image in the background was taken from the beginning of the first printed book of music, the Harmonice Musices Odhecaton. It was published in Venice, Italy in 1501 by Ottaviano Petrucci, the library's namesake. [5] [non-primary source needed]
The Symphony No. 9 in E minor, "From the New World", Op. 95, B. 178 (Czech: Symfonie č. 9 e moll "Z nového světa"), also known as the New World Symphony, was composed by Antonín Dvořák in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895.
The Old Letter in My Book (Zde hledím na tvůj drahý list) Andante: 2nd version of B.11/12 152/6: O, Lovely Golden Rose (Ó, zlatá růže spanilá) Andante moderato: 2nd version of B.11/7 152/7: I Wander Often Past Yonder House (Kol domu se teď potácím) Andante con moto: 3rd version of B.11/9, B.123/3, B.160/3 152/8
Biblical Songs was written between 5 and 26 March 1894, while Dvořák was living in New York City. It has been suggested that he was prompted to write them by news of a death (of his father Frantisek, or of the composers Tchaikovsky or Gounod, or of the conductor Hans von Bülow); but there is no good evidence for that, and the most likely explanation is that he felt out of place in the ...
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The Ballade in D minor, Op. 15 (B. 139), is a ballade for violin and piano, composed by Antonín Dvořák in 1884. [1] As with the third piano trio, the Scherzo capriccioso, the Hussite Overture, and the seventh symphony, composed in the same period, the work is written in a more dramatic, dark and aggressive style that supersedes the carefree folk style of Dvořák's "Slavonic period".