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Johann Pachelbel's Canon in D major, written in the mid-Baroque period and revived from obscurity in the 1960s, has been credited with inspiring pop songs. Some pop songs borrow its chord progression, bass line, or melodic structure, a phenomenon attributed to the memorability and simplicity of the work.
List of variations on Pachelbel's Canon; List of works commissioned by the Royal Philharmonic Society; List of works premiered at the Teatro Capranica; Classical music written in collaboration; Composer tributes (classical music) Music based on the works of Oscar Wilde; Musical settings of sayings of Jesus on the cross; Works associated with ...
Pachelbel's Canon also uses a similar sequence of notes in the bass part: Pachelbel's Canon Ground bass of Pachelbel's Canon. Two pieces by J.S.Bach are particularly striking for their use of an ostinato bass: the Crucifixus from his Mass in B minor and the Passacaglia in C minor for organ, which has a ground rich in melodic intervals:
George Frideric Handel: second movement of his Organ Concerto in G minor, Op. 7, No. 5, HWV 310, is a set of variations on Pachelbel's Canon; George Rochberg: a movement from String Quartet No. 6 is a set of variations on Pachelbel's Canon; Graham Waterhouse: Variations on a Theme by Pachelbel, Op. 6 (organ)
For organ works, POP catalogue numbers are provided, from catalogue by Antoine Bouchard for his 1998–2001 recording of Pachelbel's organ oeuvre (this catalogue only covers organ works). Perreault numbers are used as the basis of the list, making individual sections organized alphabetically (i.e. the chorales) and/or by tonality.
the Canon is famously difficult to pin to a timeline, so I'll just add Pachelbel's lifespan. "Pachelbel's Canon, a musical composition by Johann Pachelbel" sounds incredibly awkward. Drop the "musical"—in fact, I would just say something like "Johann Pachelbel wrote his Canon in D in the mid-Baroque.... and it has since been...". See what you ...
HWV 310 – The first movement contains themes derived from the Trio sonatas, Op. 2, No. 1 and No. 8. The second movement uses Pachelbel’s Canon in D, chord progression. The closing Gavotte is a more elaborate reworking of a movement from the organ concerto, Op. 4, No. 3. The final gavotte is also thematically related to the aria from ...
Another topic discussed in the preface is the nature of music. Pachelbel writes that music is the finest of the arts, governing human emotions and desires, and expresses the "belief of many" that music comes from the "Dreymal-Heilig" sung by angels [4] and from the movement of celestial bodies (a belief, Pachelbel points out, shared by ...
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