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For vocal music, slurs are usually used to mark notes which are sung to a single syllable . A slur can be extended over many notes, sometimes encompassing several bars. In extreme cases, composers are known to write slurs which are near-impossible to achieve; in that case the composer wishes to emphasise that the notes should be performed with ...
The eleventh harmonic (i.e. 11 ⁄ 8 or 551 cents) as put forward by Kubik [9] and Curry [10] is also possible as it is in the middle of the slur between the perfect fourth at 4 ⁄ 3 and 7 ⁄ 5. The blue "lowered seventh" appears to have two common locations at 7 ⁄ 4 (969 cents) and 9 ⁄ 5 (1018 cents). [17]
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...
Musical phrasing is the method by which a musician shapes a sequence of notes in a passage of music to allow expression, much like when speaking English a phrase may be written identically but may be spoken differently, and is named for the interpretation of small units of time known as phrases (half of a period).
For example, Berklee Music Theory - Book 2 recommends the following accompaniment for a given lead sheet, [2] while this progression does not occur in common practice theory since all the chords are seventh chords and unprepared dissonant. Accompaniment acceptable in the Berklee method [2] but not in common practice theory. Play ⓘ
Legato technique is required for slurred performance, but unlike slurring (as that term is interpreted for some instruments), legato does not forbid articulating the notes with a very slight interruption. Standard notation indicates legato either with the word legato, or by a slur (a curved line) under notes that form one legato group.
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