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Camille Roqueplan: The Lion in Love (1836). Oil on canvas, 195,5 × 153 cm. Wallace Collection, London. The Lion in Love is an 1836 oil on canvas painting in the Academic-Romantic style by Camille Roqueplan (1800–1855) now in the Wallace Collection in London. [1] Camille Roqueplan: The Lion in Love, o. J.; Preparatory drawing in chalk. Musée ...
The Sleeping Gypsy (French: La Bohémienne endormie) is an 1897 oil on canvas painting by the French Naïve artist Henri Rousseau (1844–1910). It is a fantastical depiction of a lion musing over a sleeping woman on a moonlit night. It is held by the Museum of Modern Art in New York City, to which it was donated by Mrs. Simon Guggenheim in 1939.
The Lion Hunt (Rubens) The Lion in Love (painting) Lion mask; Lions in the Desert; M. Madonna of Foligno; ... The Sleeping Gypsy; Slottslejonen; St Jerome (after ...
Lion is also title of the fourth grade of mithraism. [6] The first symbol of the lion and Sun, which is related to the Achaemenid period. Lions have been extensively used in ancient Persia as sculptures and on the walls of palaces, in fire temples, tombs, on dishes and jewellery; especially during the Achaemenid Empire. The gates were adorned ...
Stubbs' output includes history paintings, but his greatest skill was in painting animals (such as horses, dogs and lions), perhaps influenced by his love and study of anatomy. His series of paintings on the theme of a lion attacking a horse are early and significant examples of the Romantic movement that emerged in the late 18th century.
Image credits: an1malpulse #5. Animal campaigners are calling for a ban on the public sale of fireworks after a baby red panda was thought to have died from stress related to the noise.
St. Jerome and the Lion (also known as St. Jerome Extracting the Thorn [1] or Saint Jerome in the Desert) is an oil on oak panel painting by Rogier van der Weyden or his studio from c. 1450–1465, showing Jerome and a lion. It is now in the Detroit Institute of Arts. This painting was part of a renewed interest in depictions of St. Jerome. [2]
The subject of a reclining nude draws from a classical tradition, from Titian’s 1538 painting Venus of Urbino to Manet's 1863 painting Olympia. Rousseau may have taken some inspiration from Émile Zola 's novel Le Rêve , which deals with the love between a painter and an embroideress.
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