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Somewhere around 1969 the Celestion Ditton range of consumer stereo teak veneered floor speakers was unleashed on the British public. The range would go on to include smaller bookshelf models, but initially the lowest model was the very popular Ditton 15, to be renamed the 15XR (see the catalogue from 1978), and the top of the range was the formidable and always rare Ditton 66.
Lipinski Sound: United States Logitech: Switzerland and United States Mackie: United States Magnepan: United States MartinLogan: United States McIntosh Laboratory: United States Meyer Sound Laboratories: United States Meridian Audio: United Kingdom Mission: United Kingdom (brand) Magnat: Germany Mitek/MTX: United States Monitor Audio: United ...
Atari 2600 and Atari 7800 video game consoles, Video Music (music visualizer for TV) Combined sound and graphics chip, metal–oxide–semiconductor (MOS) integrated circuit [1] POKEY: 1979 4 Atari 8-bit, Atari 5200, some Atari arcade machines, certain Atari 7800 cartridges [2] Atari AMY: 1983 64/8 Intended for 65XEM (never released)
Through this process, an alternating series of compression and rarefaction pulses travel away from the soundboard, creating sound waves. [5] The soundboard operates by the principle of forced vibration. The string gently vibrates the board, and despite their differences in size and composition, makes the board vibrate at exactly the same frequency.
Bose Acoustic Wave Music System CD-3000 with CD player and FM radio. The first "Wave" product was the "Acoustic Wave Music System" (AWMS-1), which was a tabletop mini-hifi system that was introduced in 1984. The AWMS-1 consisted of an AM/FM radio, cassette player, two 2-inch tweeters, and a four-inch woofer. [2]
Similarly, in a constant-voltage speaker system, the amplifier uses a transformer to step up the voltage of the audio signal to reduce power loss over the speaker cable, allowing more power to be transmitted over a given wire diameter. Each speaker in the system has a step-down transformer to reduce the voltage to a usable level.
It consisted of 22 five-inch drivers and was designed to be located in the corner of a room, using reflections off the walls and floor to disperse the sound. [21] The system included tone controls and a switch to attenuate frequencies below 50 Hz. [22] [23] [24] The 2201 was a market failure and Bose discontinued it after three or four years. [25]
The Wall of Sound was an enormous sound reinforcement system designed in 1973 specifically for the Grateful Dead's live performances. The largest concert sound system built at that time, [1] [2] the Wall of Sound fulfilled lead designer Owsley "Bear" Stanley's desire for a distortion-free sound system that could also serve as its own monitoring ...
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