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Cast iron was also taken up by some architects in the early 19th century where smaller supports or larger spans were required (and where wrought iron was too expensive), notably in the Royal Pavilion in Brighton, designed by John Nash and built between 1816 and 1823, where cast iron columns were used within the walls, as well as cast iron beams ...
Daniel D. Badger (15 October 1806–1884 [3]) was an American founder, working in New York City under the name Architectural Iron Works. With James Bogardus , he was one of the major forces in creating a cast-iron architecture in the United States. [ 4 ]
Bogardus attached plaques to his cast-ironwork that read: "James Bogardus Originator & Patentee of Iron Buildings Pat' May 7, 1850." [6] He demonstrated the use of cast-iron in the construction of building facades, especially in New York City for the next two decades. He was based in New York, but also worked in Washington, DC, where three cast ...
Margot Gayle described cast-iron architecture as her "all-consuming passion." [ 5 ] In 1970 she founded the group the Friends of Cast Iron Architecture (FCIA) as part of the opposition to Robert Moses's plan to build an expressway through TriBeCa and SoHo. [ 4 ]
Justus F. Krumbein (1847 – November 1907) was an architect based in Portland, Oregon, United States, whose work included Richardsonian Romanesque designs and Italianate, cast-iron architecture. Little of his work survived the 20th Century.
More characteristic of Snook's work are these cast-iron buildings, the Loubat Stores, at 503-511 Broadway (1878-79), with cast-iron by Cornell Iron Works [1] They replaced the southern wing of the St. Nicholas Hotel. [2] John Butler Snook (1815–1901) was an American architect who practiced in New York City.
Both the new industrial technologies and industrial architecture soon spread worldwide. As such, the architecture of surviving industrial buildings records part of the history of the modern world. Some industries were immediately recognisable by the functional shapes of their buildings, as with glass cones and the bottle kilns of potteries.
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