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On the Beach at Trouville: 1863: 25.4 x 45.7: Metropolitan Museum of Art, New York: Jetty and Wharf at Trouville: 1863: 34.8 x 58: National Gallery of Art, Washington: Figures on a Beach: c.1863: 21.9 x 45.4: Rhode Island School of Design Museum: Crinolines on the Beach: 1863: 26 x 47: Fondation Bemberg, Toulouse: The Beach at Deauville: 1864: ...
The Lake, Petworth: Sunset, a Stag Drinking 1829 Tate Britain, London: 63.5 x 132 The Lake, Petworth: Sunset, Fighting Bucks 1829 Tate Britain, London: 62 x 146 Brighton from the Sea 1829 Tate Britain, London: 63.5 x 132 The Loretto Necklace: 1829 Tate Britain, London: 130.8 x 174.9 Ulysses deriding Polyphemus- Homer's Odyssey: 1829 National ...
Impression, Sunrise (French: Impression, soleil levant) is an 1872 painting by Claude Monet first shown at what would become known as the "Exhibition of the Impressionists" in Paris in April, 1874. The painting is credited with inspiring the name of the Impressionist movement. Impression, Sunrise depicts the port of Le Havre, Monet's
Albany Institute of History and Art, New York West Rock, New Haven: 1849: Oil on canvas: 27 + 1 ⁄ 8 in × 40 + 1 ⁄ 8 in (690 mm × 1,020 mm) New Britain Museum of American Art, Connecticut [4] Mountain Landscape: 1849: Oil on canvas: 34.6 × 48.5 cm: Brauer Museum of Art, Valparaiso, Indiana Above the Clouds at Sunrise: 1849: Oil on canvas ...
English: Sunset on the beach. In the Philippines sunsets are truly amazing and beautiful, with majestic glows and halos. The sky is filled with a dramatic burst of colors: orange, red, pink. Both dark skies and vivid colors of the burning sun create a fascinating work of art. Malapascua Island, Visayan Sea, Philippines.
The painting became familiar in 1999 after its appearance in John McTiernan’s heist film The Thomas Crown Affair. In the film the picture is stolen from the Metropolitan Museum of Art. In actuality, the Metropolitan does not own the painting, although they have another of Monet's Venetian scenes The Doge's Palace Seen from San Giorgio Maggiore.
In the foreground, a solitary figure in a blue smock stands on the beach. The painting was created with short, thick brushstrokes, typical of Impressionism. [1] Monet painted The Beach at Honfleur in the summer of 1864, when he and Frédéric Bazille were staying at nearby Sainte-Adresse, where Monet's parents kept a summer house. [1]
Israëls tries to capture the carefree atmosphere of the sunny day, with the summer wind, the warm light and the sound of the waves. Donkey riding on the beach was a popular pastime at the time. The painting reflects Israëls' preoccupation with the representation of sunlight. The subject seems almost coincidental.