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A shishi-odoshi breaks the quietness of a Japanese garden with the sound of a bamboo rocker arm hitting a rock.. Shishi-odoshi (literally, "deer-frightening" or "boar-frightening"), in a wide sense, refers to Japanese devices made to frighten away animals that pose a threat to agriculture, including kakashi (), naruko (clappers) and sōzu.
The verses have short sections with the tempo virtually halved, and the choruses are emphasised with strong harmonies and drum fills. DRUM! magazine said of Taylor's drum work: "[...] Shortly after the 2/4 measure there's an unusual snare accent on the & of 4 and a change to a half-time groove.
Buckingham believed none of Fleetwood's takes were satisfactory from start to finish, so a tape loop of one of Fleetwood's drum tracks (about four seconds long) was used throughout the song: "The irony of that was that the original reason for having Mick play on the song was to approach the track completely live, as opposed to my usual ...
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Cozy Powell (born Colin Trevor Flooks; 29 December 1947 – 5 April 1998) was an English drummer who made his name with major rock bands and artists such as The Jeff Beck Group, Rainbow, Michael Schenker Group, Gary Moore, Graham Bonnet, Brian May, Whitesnake, Emerson, Lake & Powell, and Black Sabbath.
Every part, from the vocals to the guitar parts to the drum fills, really hold their place in the song." [ 4 ] In a further interview with MTV , Wheeler commented that "We wanted the backing vocalists to sound like a —'bunch of drunk assholes', so we had the crew and us drink a beer for every take and yelled the chorus into a microphone.
Here’s the “Never Gonna Give You Up” star’s impressive drum cover of AC/DC’s “Highway to Hell” as performed on the Pyramid Stage on Saturday. ... given Sawayama called him out (not ...
The magician produces a bottle or kettle and asks the audience to name any sort of drink: water, beer, tea, or any other liquid. The magician tips the bottle and pours out a glass of that drink. He then asks for another example, and another, with the bottle producing the drinks on demand, seemingly forever.