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1.) The image produced by a motion picture camera from the time it begins shooting until the time it stops shooting. 2.) (in an edited film) the uninterrupted record of time and space depicted between editorial transitions. Static Frame The camera focus and angle stay completely still, usually with a locked off tripod, and the scene continues ...
But unlike changes in camera position, zooming does not change the perspective (the relative sizes of near and far objects); it only magnifies or reduces the size of the entire image as a whole. Zooming can either be performed towards longer focal lengths, giving a "zoom in" effect: The filmed object will then increase in apparent size, and ...
The design of the lens is required to work effectively with light passing from near focus to far focus - exactly the reverse of a camera lens. This demands that internal light baffling within the lens is designed differently and that the individual lens elements are designed to maximize performance for this change of direction of incident light.
The 30-degree rule is a basic film editing guideline that states the camera should move at least 30 degrees relative to the subject between successive shots of the same subject. If the camera moves less than 30 degrees, the transition between shots can look like a jump cut —which could jar the audience and take them out of the story.
iSight is a brand name used by Apple Inc. to refer to webcams on various devices. The name was originally used for the external iSight webcam, which retailed for US$149, connected to a computer via a FireWire cable, and came with a set of mounts to place it atop any then current Apple display, laptop computer, all-in-one desktop computer, or round surface.
The rule prevents the camera from crossing the imaginary line connecting the subjects of the shot. Another method is the eye-line match. When shooting a human subject, he or she can look towards the next subject to be cut to, thereby using the former's self as a reference for the viewer to use while locating the new subject within the set.
Deep focus is a photographic and cinematographic technique using a large depth of field. Depth of field is the front-to-back range of focus in an image, or how much of it appears sharp and clear. In deep focus, the foreground, middle ground, and background are all in focus. Deep focus is normally achieved by choosing a small aperture.
Example image exhibiting blown-out highlights. Top: original image, bottom: blown-out areas marked red. In digital photography and digital video, clipping is a result of capturing or processing an image where the intensity in a certain area falls outside the minimum and maximum intensity which can be represented.