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Other decorative arts such as architecture, ceramics, silver, and textiles could also feature elements of the William and Mary style. The design movement had an extremely positive impact on the craftsmanship and quality of British furniture. [7] The William and Mary style was a transitional style between Mannerist and Queen Anne furniture. [4]
For a quarter of a century, the furniture designs of the rocaille style was dominant, particularly under the influence of Juste-Aurèle Meissonier (1695-1750), the Italian-born architect who became royal architect and designer of Louis XV, and the ornament designer Nicolas Pineau (1684-1754). Under their influence, straight lines disappeared ...
Queen Anne furniture is "somewhat smaller, lighter, and more comfortable than its predecessors," and examples in common use include "curving shapes, the cabriole leg, cushioned seats, wing-back chairs, and practical secretary desk-bookcase pieces."
Thomas Chippendale (June 1718 – 1779) was an English woodworker in London, designing furniture in the mid-Georgian, English Rococo, and Neoclassical styles. In 1754 he published a book of his designs in a trade catalogue titled The Gentleman and Cabinet Maker's Director—the most important collection of furniture designs published in England to that point which created a mass market for ...
A hidden compartment or secret compartment is a compartment whose existence or access is not obvious at first glance, and can be used as a hiding place for objects or sometimes even for people. A hidden compartment where people can stay is usually referred to as a hidden room or secret room , and can range from parts of small wardrobes or ...
Eastlake's book led to a demand in Eastlake furniture; however, Eastlake himself denied that there was an Eastlake style. This led to furniture manufacturers—who initially thought that Eastlake's ideas would be more harmful than good—to invent their own Eastlake furniture, with it reaching a point that it was "seen everywhere". [3]
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