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Dramaturgy is the study of dramatic composition and the representation of the main elements of drama on the stage.. The term first appears in the eponymous work Hamburg Dramaturgy (1767–69) by Gotthold Ephraim Lessing.
Dramatism, a communication studies theory, was developed by Kenneth Burke as a tool for analyzing human relationships through the use of language. Burke viewed dramatism from the lens of logology, which studies how people's ways of speaking shape their attitudes towards the world. [1]
A dramaturge or dramaturg (from Ancient Greek δραματουργός dramatourgós) is a literary adviser or editor in a theatre, opera, or film company who researches, selects, adapts, edits, and interprets scripts, libretti, texts, and printed programmes (or helps others with these tasks), consults authors, and does public relations work.
Structuralistic approaches had a lot of influence on literature science and linguistics until the 1970's, but was largely ignored in dramatic theory. [20] Nonetheless, some dramaturges included structuralistic analyses into their work and some literature scientists, such as Herta Schmid, tried to develop a structuralistic dramatic theory. [ 21 ]
A story structure, narrative structure, or dramatic structure (also known as a dramaturgical structure) is the structure of a dramatic work such as a book, play, or film. There are different kinds of narrative structures worldwide, which have been hypothesized by critics, writers, and scholars over time.
As a practical tool, fabels form part of the process of engaging with a play-text undertaken by a company when mounting a production of a play. A fabel is a piece of creative writing, usually made by a dramaturg or the director, that summarizes the plot of a play in such a way as to emphasize the production's interpretation of that play-text.
Conceptualised by 20th century German director and theatre practitioner Bertolt Brecht (1898–1956), "The Modern Theatre Is the Epic Theatre" is a theoretical framework implemented by Brecht in the 1930s, which challenged and stretched dramaturgical norms in a postmodern style. [1]
Story structure or narrative structure is the recognizable or comprehensible way in which a narrative's different elements are unified, including in a particularly chosen order and sometimes specifically referring to the ordering of the plot: the narrative series of events, though this can vary based on culture.