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Ink wash painting (simplified Chinese: 水墨画; traditional Chinese: 水墨畫; pinyin: shuǐmòhuà); is a type of Chinese ink brush painting which uses washes of black ink, such as that used in East Asian calligraphy, in different concentrations.
The Xiuzhen tu (simplified Chinese: 修真图; traditional Chinese: 修真圖; pinyin: Xiūzhēn tú; Wade–Giles: Hsiu-chen t'u) is a Daoist diagram of the human body illustrating the preventative Chinese medical principles called Neidan ' internal alchemy ', incorporating Chinese astrology, and cosmology. [1]
In interior design, a wash or color wash of paint on a wall can be used to create a textured effect as a faux finish. [2] In ceramics, a wash is typically a coloring oxide thinned with water applied to the piece to achieve an effect similar to a glaze. [3] Digital image creation software can have features that simulate the painting technique. [4]
Recolored it in accordance with File:Felix von Luschan Skin Color chart.svg. Reflectance spectrophotometry is a much more modern way of measurement of human skin color. See Jablonski's work. The best known of these maps is that composed by Renato Biasutti, which was based on von Luschan's chromatic scale. This map has gained broad circulation ...
Chinese painting and calligraphy distinguish themselves from other cultures' arts by emphasis on motion and change with dynamic life. [4] The practice is traditionally first learned by rote, in which the master shows the "right way" to draw items. The apprentice must copy these items strictly and continuously until the movements become instinctive.
綠 lǜ 'green': The intermediary color of the east, combination of central yellow and eastern blue; 碧 bì 'emerald blue': The intermediary color of the west, combination of eastern blue and western white; 紅 hóng 'light red': The intermediary color of the south, combination of western white and southern red
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While the original Neijing tu provenance is unclear, it probably dates from the 19th century (Komjathy 2004:11). All received copies derive from an engraved stele dated 1886 in Beijing's White Cloud Temple 白雲觀 that records how Liu Chengyin 柳誠印 based it on an old silk scroll discovered in a library on Mount Song (in Henan).