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"Call Me Maybe" is a song by Canadian singer-songwriter Carly Rae Jepsen from her EP Curiosity (2012) and later appeared on her second studio album and international debut album Kiss (2012). The song was written by Jepsen and Tavish Crowe as a folk song, but its genre was modified to pop following the production by Josh Ramsay .
Call Me (Blondie song) Call Me (Deee-Lite song) Call Me (Skyy song) Call Me Back Again; Call Me Maybe; Call Me Mr. Telephone (Answering Service) Call Me, Beep Me! The Call (Backstreet Boys song) Callin' Baton Rouge; Chantilly Lace (song) Clouds Across the Moon; Cordelia Malone
"Call Me Maybe", also the lead single from her 2012 EP Curiosity, attained international success, reaching number one in Canada, Australia, the United Kingdom and the United States, among others. [ 2 ] [ 4 ] [ 5 ] [ 6 ] Curiosity went on peak at number six on the Canadian Albums Chart . [ 7 ]
Carly Rae Jepsen's smash hit "Call Me Maybe" could actually get house hunters to call Realtor Jessica Edwards – maybe. Trying a new trick to appeal to potential clients, Edwards, a broker with ...
"Call Me" is a song by the American new wave band Blondie and the theme to the 1980 film American Gigolo. Produced and composed by Italian musician Giorgio Moroder , with lyrics by Blondie singer Debbie Harry , the song appeared in the film and was released in the United States in early 1980 as a single .
"Call Me" is a song composed by Tony Hatch for an original recording for Petula Clark. It was later an easy listening standard via a hit version by Chris Montez . "Call Me" first appeared as the title cut on a Petula Clark EP released in 1965 by Pye in the UK .
The music video for "Call Me" was released on August 18, 2017 on Nav's Vevo account and was directed by RJ Sanchez. [2] [3] The video was shot in Magic City Club in Atlanta. Nav and Metro Boomin are seen showing off Ferrari Portofino in the music video. As of May 2021, the video has surpassed over 60 million views.
The final track, "Call on Me" was often interjected into the set lists prior to the release of this album and received a strong response in spite of its more soulful, less frantic composure. This album also marked a conscious effort to expand Money's audience with the inclusion of several more pop and dance oriented numbers.