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According to the book Cartographies of Time: History of the Timeline, the Synchronological Chart "was ninetheenth-century America's surpassing achievement in complexity and synthetic power." [ 9 ] The Oregon Encyclopedia notes that it is now prized by museums and library collections as an early representative of commercial illustration that ...
Aerial view of the Poverty Point earthworks, built by the prehistoric Poverty Point culture, located in present-day Louisiana.. The Poverty Point culture is the archaeological culture of a prehistoric indigenous peoples who inhabited a portion of North America's lower Mississippi Valley and surrounding Gulf coast from about 1730 – 1350 BC.
Today, the best-surviving features of the Hopewell tradition era are earthwork mounds. Researchers have speculated about their purposes and debate continues. Great geometric earthworks are one of the most impressive Native American monuments throughout American prehistory, and were built by cultures following the Hopewell. Eastern Woodlands ...
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Textile arts and fiber arts include fabric that is flexible woven material, as well as felt, bark cloth, knitting, embroidery, [1] featherwork, skin-sewing, beadwork, and similar media. Textile arts are one of the earliest known industries. [1] Basketry is associated with textile arts. [2]
In North America, the time encompasses the Paleo-Indian period, which subsequently is divided into more specific time terms, such as Early Lithic stage or Early Paleo-Indians, and Middle Paleo-Indians or Middle Lithic stage. [6] Examples include the Clovis culture and Folsom tradition groups. The Lithic stage was followed by the Archaic stage.
The Pre-classic period was dominated by the highly developed Olmec civilization, which flourished around 1200–400 BCE. The Olmecs produced jade figurines, and created heavy-featured, colossal heads , up to 2 meters (6.6 ft) high, that still stand mysteriously in the landscape.
The subject of "A fair Puritan" wearing typical subdued "sadd" colors. Sadd colors or sad colors were the colors of choice for the clothing of the members of the Massachusetts Bay Colony in seventeenth century America ("sadd"/ "sad" carried the meaning of "seriousness" rather than "sorrowfulness").