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One day, Aura goes hunting with Artemis. For relief from the midday heat, the hunting party stops for a swim. Aura then teases Artemis, saying that her breasts were better than Artemis's, since hers were small and round like a man's, while Artemis's were large and voluptuous like a woman's, and so belied Artemis' supposed "unviolated maidenhood ...
The local historical society introduced classes in hair work and new generations of women learned the art. In Våmhus, hair art has been done continuously for almost 200 years. In 1994, the Hairworkers Society was founded by the most active hair workers. Together they have done many shows, exhibits and projects.
Self-Portrait with Curly Hair: Autorretrato con pelo rizado: Oil on tin, 19.3 x 14.7 cm Private collection, California, United States 1936 My Grandparents, My Parents, and I: Mis abuelos, mis padres, y yo: Oil and tempera on zinc, 30.7 x 34.5 cm [8] Museum of Modern Art, New York City, United States [8] 1937 Cactus Fruits: Tunas: Oil on metal ...
The Black And White Paintings will be unveiled for the first time on Friday.
The painting is executed on a small [n 2] 24.6 cm × 21.0 cm (9.7 in × 8.3 in) poplar wood panel with oil, umber, and white lead pigments. [13] It portrays the unfinished outline of a young woman whose face gently gazes downward while her loosely drawn, dishevelled hair waves in the air behind her. [7]
Reki (礫, Reki, レキ) lit. 'pebble/small stone' Voiced by: Junko Noda (Japanese); Erika Weinstein (English) Reki is a mother figure to the other haibane of Old Home. Reki cannot remember her "cocoon dream," is troubled by her past at Old Home and by vivid and horrible nightmares, which she then paints as a way of trying to figure them out.
Matsukaze (松風, Wind in the Pines) is a play of the third category, the woman's mode, by Kan'ami, revised by Zeami Motokiyo. One of the most highly regarded of Noh plays, it is mentioned more than any other in Zeami's own writings, [ 1 ] and is depicted numerous times in the visual arts.
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