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Away in a manger, no crib for a bed, The little Lord Jesus laid down his sweet head. The stars in the bright sky looked down where he lay, The little Lord Jesus asleep on the hay. The cattle are lowing, the baby awakes, But little Lord Jesus, no crying he makes. I love thee, Lord Jesus! look down from the sky, And stay by my cradle till morning ...
"The Rocking Carol", [1] also known as "Little Jesus, Sweetly Sleep" [2] and "Rocking", [3] is an English Christmas carol by Percy Dearmer. It was translated from Czech (" Hajej, nynej, Ježíšku ") [ 4 ] in 1928 and is performed as a lullaby to the baby Jesus .
1940 sheet music cover featuring Glenn Miller. Robbins Music, New York. 1940 RCA Bluebird 78 single release by Glenn Miller and His Orchestra, B-10598-A. "The Woodpecker Song" (Reginella Campagnola) is originally an Italian song.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
"A barred receptacle for fodder etc.; a manger, esp. that in which the infant Jesus was said to be laid." So surely the original wording was ' a crib for a bed'. Then, when the word's use was extended to any baby's cradle, a process of hypercorrection led to a reversal.
A block chord is a chord or voicing built directly below the melody either on the strong beats or to create a four-part harmonized melody line in "locked-hands" [1] rhythmic unison with the melody, as opposed to broken chords. This latter style, known as shearing voicing, was popularized by George Shearing, but originated with Phil Moore. [1]
Example of piano tone clusters. The clusters in the upper staff—C ♯ D ♯ F ♯ G ♯ —are four successive black keys. The last two bars, played with overlapping hands, are a denser cluster. A tone cluster is a musical chord comprising at least three adjacent tones in a scale.
Doris Mae Akers (May 21, 1923 – July 26, 1995) [1] was an American gospel music composer, arranger and singer who is considered to be "one of the most underrated gospel composers of the 20th century [who] wrote more than 500 songs". [2]
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