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Ball Boy (Beano) Barnaby (comics) The Bash Street Kids; Bazooka Joe; Bea (Dennis the Menace) Bécassine; Bedlam (Exemplar) Belinda (comic strip) The Belles of St. Lemons; Beryl the Peril; Biebel; Big Nate; Bilbolbul; Bill Badger (Rupert Bear) Billoo; Billy the Cat (Belgian comics) Billy the Cat (British comics) Billy's Boots; Bimbo (comics ...
Little Lulu is a comic strip created in 1935 by American author Marjorie Henderson Buell. [1] The character, Lulu Moppet, debuted in The Saturday Evening Post on February 23, 1935, in a single panel, appearing as a flower girl at a wedding and mischievously strewing the aisle with banana peels.
Underdog, also known as The Underdog Show, is an American Saturday morning animated television series that ran from October 3, 1964, to March 4, 1967, [1] starting on the NBC network until 1966, with the rest of the run on CBS, under the primary sponsorship of General Mills, for a run of 62 episodes.
Kawaii (Japanese: かわいい or 可愛い, ; "cute" or "adorable") is a Japanese cultural phenomenon which emphasizes cuteness, childlike innocence, charm, and simplicity. Kawaii culture began to flourish in the 1970s, driven by youth culture and the rise of cute characters in manga and anime (comics and animation) and merchandise ...
Get a daily dose of cute photos of animals like cats, dogs, and more along with animal related news stories for your daily life from AOL.
Tweety is a yellow canary in the Warner Bros. Looney Tunes and Merrie Melodies series of animated cartoons. [3] His characteristics are based on Red Skelton 's famous "Junior the Mean Widdle Kid." [ 4 ] He appeared in 46 cartoons during the golden age , made between 1942 and 1964.
In the cartoon adaptation, Casper is a cute ghost-child with a New York accent who inhabits a haunted house along with a community of adult ghosts who delight in scaring the living. Casper, in contrast, is a nonconformist among ghosts: he would prefer to make friends with people.
This nonsexual but intimate adult-boy relationship in part inspired the evolution of the shotacon community. Tamaki Saitō writes that although the modern shotacon audience has a roughly even split between males and females, the genre is rumored to have roots in early 1980s dōjinshi as an offshoot of yaoi . [ 3 ]
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