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Little Anthony & The Imperials' original version was taken from their album, Goin' out of My Head. It was the follow-up to that album's smash-hit title song, and like that song, also became a Billboard Top 10 hit as well as a Top Five R&B hit. [2] This version reached number ten on the Billboard Hot 100, and number one in Canada. [3]
"Hurt" is a song by American industrial rock band Nine Inch Nails from its 1994 studio album The Downward Spiral—where it is the closing song on the album—written by Trent Reznor. It was subsequently released on April 17, 1995, as a promotional single from the album, wherein it was issued straight to radio. [ 3 ]
"Poor Poor Pitiful Me" is a rock song written and first recorded by American musician Warren Zevon in 1976. With gender references reversed, it was made a hit twice: first as a top-40 hit for Linda Ronstadt, then almost 2 decades later by Terri Clark, whose version topped the Canadian country charts and reached the country top five in the U.S.
Darkhorse is the second studio album by American rap rock band Crazy Town.It was released through Columbia Records/Sony Music on November 12, 2002. [7] The album had two singles, "Drowning", which was a minor hit in several countries, and "Hurt You So Bad", which did not chart at all.
"Why Does It Hurt So Bad" is an R&B ballad. [2] The song was written and produced by Kenneth Brian Edmonds, popularly known as "Babyface". According to the sheet music book for The Greatest Hits at Sheetmusicplus.com, the song is written in the key of B ♭ major, and moves at a tempo of 69 beats per minute. [3]
"Hurts So Good" is a song by American singer-songwriter John Mellencamp, then performing under the stage name "John Cougar". The song was a number two hit on the Billboard Hot 100 [3] for the singer/songwriter. It was the first of three major hit singles from his 1982 album American Fool.
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The album reflected the advent in the later 1970s of punk rock and new wave music. Many veteran acts, including Fleetwood Mac , Carly Simon , Heart , Queen , Joni Mitchell and James Taylor , made sincere (and often successful) efforts to revitalize their sound by adopting aspects of the stripped-down, unpretentious D.I.Y. punk and new wave ...