Search results
Results from the WOW.Com Content Network
"Safe and Sound" is a song by American indie pop duo Capital Cities, written and produced by band members Ryan Merchant and Sebu Simonian. The song was released as a single on January 6, 2011, and first appeared on their debut EP Capital Cities (2011), later serving as the lead single from their debut studio album, In a Tidal Wave of Mystery (2013).
A music video for "Safe & Sound", directed by Philip Andelman and filmed in Watertown, Tennessee, was released on February 13, 2012. Music critics described the production as haunting and eerie and generally praised the songwriting. "Safe & Sound" won Best Song Written for Visual Media at the 55th Annual Grammy Awards in 2013.
Ryan Merchant and Sebu Simonian met on Craigslist and worked as jingle writers for various companies before deciding to form Capital Cities. [1] The pair then wrote "Safe and Sound" and began working on their debut album; the title In a Tidal Wave of Mystery originates from a lyric in the third verse of "Safe and Sound".
In 2019, Taylor Swift released the upbeat pop song “London Boy.” Five years later, she’s saying “so long” to the city with her new song “So Long London.”
Safe + Sound is the third album by rapper/producer DJ Quik. It was released on February 21, 1995, on Profile Records. It peaked at number 14 on the Billboard 200 on March 11, 1995, number 1 on the Top R&B/Hip-Hop Albums chart the same date, and was certified Gold by the RIAA on July 11, 1995. The album was executive-produced by Suge Knight. The ...
If you’re stuck on today’s Wordle answer, we’re here to help—but beware of spoilers for Wordle 1314 ahead. Let's start with a few hints.
Five men and a woman have been arrested in Dublin over the alleged abduction of a man in the city. More than 100 police searched several homes in the greater Blanchardstown area on Saturday morning.
"Safe and Sound" received positive reviews from critics. They often praised the song's disco-like structure and sound.Ryan Reed of Rolling Stone called the song "a psychedelic disco epic built on finger snaps, synth-strings, spastic jazz-fusion synths and one of the fiercest slap-bass grooves since Patrice Rushen's 1982 classic 'Forget Me Nots'."