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It is a translation of 19th-century South African schoolteacher Enoch Sontonga's popular African hymn "Nkosi Sikelel' iAfrika" into Zimbabwe's native Shona and Ndebele languages. [2] [3] The song was first translated into Shona in the early 20th century and was initially popular with all sections of society in Southern Rhodesia.
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Because Zimbabwe has 16 national languages, the lyrics of the original Shona song were translated into the other 15 national languages as part of the 2013 constitutional reforms. The official texts were laid out in the 2013 Constitution, however the final English text in the Constitution varied from the more poetic and metrical version that had ...
This is a list of musicians and musical groups from Zimbabwe. This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
# ZIM 410), [4] the song proved popular enough to feature alongside Paul Matavire & the Jairos Jiri Band and Jonah Moyo on a compilation of Zimbabwean hits produced by the DiscAfrique label, [3] [5] best known for bringing the Bhundu Boys to international attention. The late Charlie Gillett lauded the song as "One of the great soul records of ...
The community in Zimbabwe used music to voice their resistance to their oppression, as one of the only weapons they had available to fight back with. [1] In the eighties, the Music of Zimbabwe was at the center of the African Music scene thanks to genres such as Sungura and Jit.
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The youth of Zimbabwe embraced it. The earliest recordings were mostly on vinyl and tapes. The low income earners could not afford high quality equipment. The mainstream acts of the time were Piece of Ebony, Fortune Muparutsa [with rap verses on songs like "Rumors" (1991)], and Midnight Magic with songs like "Blackness" featuring Mau Mau.