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During the mid-to-late 1960s Leblanc started sourcing saxophone parts from Yamaha for the Vito-Kenosha line, producing saxophones with both American and Japanese parts. Between 1968 and 1970 Leblanc introduced saxophones under the Vito-Japan line, consisting of alto and tenor saxophones from Yamaha (7131 models), and soprano, alto, and baritone ...
Hanson Clarinet Company B♭, A Howarth of London B♭, A: A (joints & barrels only) Jupiter Band Instruments B♭ B♭ Leblanc (a division of The Selmer Company) B♭ E♭ B♭ EE♭ BB♭ Leitner & Kraus E♭, D: C, B♭, A: B♭, A: F B♭ Orsi Instrument Company: G, A♭ (on request) E♭ C, B♭, A, G F (on request) E♭ B♭ Fratelli ...
Vito is a brand name for Leblanc USA, now part of Conn-Selmer USA. The Vito name was used for student through professional (Yanagisawa baritone saxophone) instruments. Leblanc USA was formed in 1946 by Vito Pascucci, and the French woodwind manufacturer, G. Leblanc Cie of France. To meet high demand, Leblanc USA started to manufacture clarinets ...
Leblanc was acquired by Conn-Selmer in 2004. In 2008, the Elkhorn factory was closed and production was moved to the Eastlake, Ohio plant that produces King and C.G. Conn brasswinds. [ 14 ] Conn-Selmer currently produces Holton-branded cornets, trumpets, french horns, trombones, and slide and valve oil. [ 15 ]
The Albert system refers to a system of clarinet keywork and fingering developed by Eugène Albert. In the United Kingdom, it is known as the simple system. It has been largely replaced by the Boehm system and Oehler system. Big Band musician Jimmy Dorsey used a clarinet outfitted with the Albert system.
The clarinet family is a woodwind instrument family of various sizes and types of clarinets, including the common soprano clarinet in B♭ and A, bass clarinet, and sopranino E♭ clarinet. Clarinets that aren't the standard B♭ or A clarinets are sometimes known as harmony clarinets.
The Boehm system for the clarinet is a system of clarinet keywork, developed between 1839 and 1843 by Hyacinthe Klosé and Auguste Buffet jeune.The name is somewhat deceptive; the system was inspired by Theobald Boehm's system for the flute, but necessarily differs from it, since the clarinet overblows at the twelfth rather than the flute's octave.
The contra-alto clarinet [2] is largely a development of the 2nd half of the 20th century, although there were some precursors in the 19th century: . In 1829, Johann Heinrich Gottlieb Streitwolf [], an instrument maker in Göttingen, introduced an instrument tuned in F in the shape and fingering of a basset horn, which could be called a contrabasset horn because it played an octave lower than it.