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"Now Is the Time" is a pop song written in 1976 by Biddu. [2] ... The song's lyrics spoke of environmental issues, urging people to take immediate action. [5]
The term "chord chart" can also describe a plain ASCII text, digital representation of a lyric sheet where chord symbols are placed above the syllables of the lyrics where the performer should change chords. [6] Continuing with the Amazing Grace example, a "chords over lyrics" version of the chord chart could be represented as follows:
In 1995, Morissette released her Grammy-winning, internationally acclaimed debut album Jagged Little Pill through U.S. label Maverick Records.Executives at Maverick persuaded MCA Records to withdraw all copies of Alanis and Now Is the Time from circulation, and they did not mention either album in the promotional material for Jagged Little Pill. [3]
Now Is the Time (Brenda Fassie album), 1996; Now Is the Time (Delirious? album) or the title song (see below), 2006; Now Is the Time (Idrees Sulieman album), 1976; Now Is the Time (Jeff Lorber Fusion album), 2010; Now Is the Time (Nightmares on Wax album), 2014; Now Is the Time!, by Polysics, 2005; Now Is the Time: Live at the Knitting Factory ...
The Best Time of Your Life" (often mistakenly "Now Is the Time", the first lyric) is a song written by Richard M. Sherman and Robert B. Sherman in 1974 as a new theme song for Walt Disney's Carousel of Progress. [1]
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
“Because now that Eric was on the mic—and from time to time, I would be—the ability to get lost in the music was lessened, because now he had two jobs to do.
"The Time Is Now" is a song by Irish-English electronica-pop duo Moloko, released as the lead single from their third album, Things to Make and Do (2000). Members Mark Brydon and Róisín Murphy conceived the song as an acoustic dance recording, not wanting to turn it into a loud, drum-heavy track, unlike much of their earlier work.