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The story is the basis of an earlier opera, Il pomo d'oro, in a prologue and five acts by the Italian composer Antonio Cesti, with a libretto by Francesco Sbarra (1611–1668). Aphrodite taunts Hera and Athena with the Apple, relief in the Achilleion, Corfu.
The books are based on Greek mythology and depict the younger generation of the Olympian pantheon as privileged tween students attending Mount Olympus Academy (MOA) to develop their divine skills. The series focuses on four primary characters – Athena, Persephone, Aphrodite, and Artemis — as a diverse group of loyal friends. Athena is noted ...
Fragment of a Hellenistic relief (1st century BC–1st century AD) depicting the twelve Olympians carrying their attributes in procession; from left to right: Hestia (scepter), Hermes (winged cap and staff), Aphrodite (veiled), Ares (helmet and spear), Demeter (scepter and wheat sheaf), Hephaestus (staff), Hera (scepter), Poseidon (trident), Athena (owl and helmet), Zeus (thunderbolt and staff ...
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.
The scene is a clear reference to book 8 of the Odyssey, which contains a story related by the rhapsode Demodocus. [27] [28] The story is that of Aphrodite and Ares being caught in flagrante delicto by Hephaestus in a trap of his own design – a skillfully made golden net of thread so fine as to be invisible. Once the two are caught ...
After this point, Romans adopted Aphrodite's iconography and myths and applied them to Venus. [91] Because Aphrodite was the mother of the Trojan hero Aeneas in Greek mythology [91] and the Roman tradition claimed Aeneas as the founder of Rome, [91] Venus became venerated as Venus Genetrix, the mother of the entire Roman nation. [91]
Apaturia was an epithet of the goddess Aphrodite at Phanagoria and other places in the Taurian Chersonesus, where it originated, according to tradition, in this way: Aphrodite was attacked by giants, and called Heracles to her assistance. He concealed himself with her in a cavern, and as the giants approached her one by one, she surrendered ...
The Greek Myths (1955) is a mythography, a compendium of Greek mythology, with comments and analyses, by the poet and writer Robert Graves. Many editions of the book separate it into two volumes. Abridged editions of the work contain only the myths and leave out Graves's commentary.
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