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The camera control unit (CCU) is typically part of a live television broadcast chain. It is responsible for powering the professional video camera , handling signals sent over the camera cable to and from the camera, and can be used to control various camera parameters remotely.
The USB video device class (also USB video class or UVC) is a USB device class that describes devices capable of streaming video like webcams, digital camcorders, transcoders, analog video converters and still-image cameras.
A Sony BVS-3200CP vision mixer A Blackmagic Design ATEM 1 M/E broadcast switcher (fourth from top of rack), rack-mounted with other equipment in a typical live production environment. Many switchers are separated into two devices: one that does the bulk of video processing (pictured here), and a control surface used by the technical director .
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Unreal Media Server – multi-protocol media server for streaming any file format and real time live audio/video to WebRTC, Flash, Silverlight, iOS, STB, HTML5 viewers; VideoLAN – GPL; Vidiator – Xenon Streaming Server; VMix – a software switcher, recorder and live streaming program for Windows, developed by Studio Coast PTY LTD; Windows ...
The first centralized IP camera, the AXIS Neteye 200, was released in 1996 by Axis Communications. [3] Although the product was advertised to be accessible from anywhere with an internet connection, [4] the camera was not capable of streaming real-time video, and was limited to returning a single image for each request in the Common Intermediate Format (CIF).
HLS—HTTP Live Streaming; HMA—High Memory Area; HP—Hewlett-Packard; HPC—High-Performance Computing; HPFS—High Performance File System; HSDPA—High-Speed Downlink Packet Access; HTC—High-Throughput Computing; HSM—Hierarchical Storage Management; HT—Hyper Threading; HTM—Hierarchical Temporal Memory; HTML—Hypertext Markup Language
These can be efficiently hidden from just one camera but can be more complicated to set up and their placement may be inferior in a multiple-camera setup. Another drawback is in the usage of recording capacity, as a four-camera setup may use (depending on the cameras involved) up to four times as much film (or digital storage space) per take ...
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