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Clothing in ancient Rome generally comprised a short-sleeved or sleeveless, knee-length tunic for men and boys, and a longer, usually sleeved tunic for women and girls. On formal occasions, adult male citizens could wear a woolen toga , draped over their tunic, and married citizen women wore a woolen mantle, known as a palla , over a stola , a ...
Two men wearing abollas, as seen on the bas-reliefs on the triumphal Arch of Septimius Severus at Rome. An abolla was a cloak-like garment worn by ancient Greeks and Romans . Nonius Marcellus quotes a passage of Varro to show that it was a garment worn by soldiers ( vestis militaris ), and thus opposed to the toga .
Statue of the Emperor Tiberius showing a draped toga of the 1st century AD. The toga (/ ˈ t oʊ ɡ ə /, Classical Latin: [ˈt̪ɔ.ɡa]), a distinctive garment of Ancient Rome, was a roughly semicircular cloth, between 12 and 20 feet (3.7 and 6.1 m) in length, draped over the shoulders and around the body.
This category describes traditional and historic clothing worn during the Roman period. Clothing worn in Italy from the Middle Ages to the Pre-modern era should be categorised under Italian clothing .
Pteruge featuring the face of Jupiter-Amon at the Museum of Fine Arts of Lyon. Pteruges formed a defensive skirt of leather or multi-layered fabric (linen) strips or lappets worn hanging from the waists of Roman and Greek cuirasses of warriors and soldiers, defending the hips and thighs.
According to the Romans, this style of clothing originated from the Gauls. [ 1 ] Braccae were typically made with a drawstring, and tended to reach from just above the knee at the shortest, to the ankles at the longest, with length generally increasing in tribes living further north.
On ancient monuments it can appear round or conical. The albogalerus, or albus galerus was a white cap worn by the flamen dialis, made of the skin of a white victim sacrificed to Jupiter, and had the apex fastened to it by means of an olive-twig. [8] From the word apex was formed the epithet apicatus, applied to the flamen dialis by Ovid. [9]
Crowns became essential parts of the regalia of the Roman emperors during the Roman imperial period. [21] The laurel wreaths of a triumphator were often worn by imperial portraits, as were radiate crowns. [21] According to Pliny the Elder, the Arval Brethren, an ancient Roman priesthood, were accustomed to wear a wreath of grain sheaves. [22]