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"Generous" is a song by American singer and actress Olivia Holt. Released as a single on September 22, 2017, by Hollywood Records, it became her first number one on Billboard ' s Dance Club Songs chart in its March 17, 2018 issue.
Their second single "When I Woke Up This Morning" became an East Coast Doo-wop hit in 1957 and was released “Really Love Her So” on the B-side and sold over 75,000 copies. They would be invited back for a second performance at the Apollo, this time performing alongside Fats Domino and Little Richard .
"Three Chords and the Truth" was co-written by Sara Evans, Ron Harbin, and Aimee Mayo. The latter songwriter would later be a frequent collaborator with Evans. [2] [failed verification] The song's plot focuses on lost love and the narrator reconciling with her partner. The song references the famous description of country music by Harlan Howard.
The I–V–vi–IV progression is a common chord progression popular across several music genres. It uses the I, V, vi, and IV chords of the diatonic scale. For example, in the key of C major, this progression would be C–G–Am–F. [1] Rotations include: I–V–vi–IV: C–G–Am–F; V–vi–IV–I: G–Am–F–C
"Pride and Joy" is a 1963 single by Marvin Gaye, [1] released on the Tamla label. The single, co-written by William "Mickey" Stevenson , Gaye and Norman Whitfield , and produced by Stevenson, was considered to be a tribute to Gaye's then-girlfriend, Anna Gordy . [ 2 ]
"Too Marvelous for Words" is a popular song written in 1937. Johnny Mercer wrote the lyrics for music composed by Richard Whiting.It was introduced by Wini Shaw and Ross Alexander in the 1937 Warner Brothers film Ready, Willing, and Able, as well as used for a production number in a musical revue on Broadway.
The Generous Mr. Lovewell is the sixth studio album by Christian rock band MercyMe. Released in May 2010, the album is a concept record revolving around a fictional, allegorical character, 'Mr. Lovewell', and the overall theme of love. Produced by Brown Bannister and Dan Muckala, the album met with positive critical and commercial reception.
Allmusic awarded the album 2½ stars stating "While this is a respectable straight-ahead jazz-with-organ session, it's also so similar to so many other Prestige dates from the mid-'60s -- not to mention the other dates which featured the exact same three players as this LP does -- that it challenges the reviewer to come up with anything new, fresh, and exciting to say about the music".
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