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Hyakunin isshu can be translated to "one hundred people, one poem [each]"; it can also refer to the card game of uta-garuta, which uses a deck composed of cards based on the Hyakunin Isshu. The most famous and standard version was compiled by Fujiwara no Teika (1162–1241) while he lived in the Ogura district of Kyoto . [ 1 ]
During the Kojiki and Nihonshoki periods the tanka retained a well defined form, but the history of the mutations of the tanka itself forms an important chapter in haiku history, [7] until the modern revival of tanka began with several poets who began to publish literary magazines, gathering their friends and disciples as contributors.
Although this appears to be the first work of computer-generated literature, the structure is similar to the nineteenth-century parlour game Consequences, and the early twentieth-century surrealist game exquisite corpse. The Mad Libs books were conceived around the same time as Strachey wrote the love letter generator. [3]
Love Letter is a card game introduced in May 2012 and designed by Seiji Kanai. [1] Its first English-language edition was produced in the United States by Alderac Entertainment Group (AEG) until 2018, when Love Letter was acquired by Z-Man Games (a subsidiary of Asmodee ).
A person playing the game alternately speaks the phrases "He (or she) loves me," and "He loves me not," while picking one petal off a flower (usually an ox-eye daisy) for each phrase. The phrase they speak on picking off the last petal supposedly represents the truth between the object of their affection loving them or not.
Mr. Love: Queen's Choice (Chinese: 恋与制作人; pinyin: Liàn yǔ zhì zuò rén; lit. 'Love and Producer') is a Chinese otome visual novel mobile game. It allows players to text, chat, and call the game's male love interests, while developing the player's own career as a media producer.
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There was an increase in the number of works focusing on love, whether that was carnal love, love-sickness, etc. [31] Traditional pyeong sijo avoided discussing sex or love in this manner. Additionally, sasol sijo tended to include sarcasm, humor, and rough language associated with the common people.