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A House Without Boundaries (Spanish: La casa sin fronteras) is a 1972 Spanish drama film directed by Pedro Olea. It was entered into the 22nd Berlin International Film Festival . [ 1 ]
The film opens on a man driving a truck. He stops in front of a house and begins honking the horn. Inside, Manuela (Roberto Cobo) and her daughter, known as Japonesita (Ana Martín), are asleep. Manuela panics, recognizing the honk as that of Pancho (Gonzalo Vega), a man who has attacked her before, destroying her red flamenco dress. Manuela ...
This page was last edited on 8 December 2024, at 10:22 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
The House of Snails (Spanish: La casa del caracol) is a 2021 psychological thriller film with rural horror and fantasy elements directed by Macarena Astorga [] from a screenplay by Sandra García Nieto based on García Nieto's novel La casa del caracol which stars Javier Rey alongside Paz Vega and Carlos Alcántara.
Welcome Home (Spanish: Bienvenido a Casa) is a 2006 Spanish comedy-drama film written and directed by David Trueba, starring Pilar López de Ayala and Alejo Sauras as Eva and Samuel, a couple just settled in Madrid, alongside Ariadna Gil, Juan Echanove, Jorge Sanz, Javivi Gil Valle, Julián Villagrán, Juana Acosta, Vicente Haro, Carlos Larrañaga and Concha Velasco.
The House with Laughing Windows was the first film produced by director Pupi Avati's company A.M.A. Film. [1] [4] The film was shot over five weeks between April and May 1976 in Comacchio and Minerbio, Ferrara, Italy. [1] [4] Although the credits state Incir-De Paolis Studios in Rome, this was purely listed for bureaucratic reasons. [1] [4] [5]
Rebel Without a House (Spanish:Rebelde sin casa) is a 1960 Mexican comedy film directed by Benito Alazraki and starring Germán Valdés y Ana Bertha Lepe. [1] Cast
Fernando López of La Nación gave a positive review ("good"), writing that the "solid debut" film by Miguel Cohan featured "no gimmicks, no appeals to easy emotion, no sobering speeches, no underlinings", and "no manichaeism in the portrayal of characters", whereas the elaborate screenplay (perhaps "overly elaborate") deals with the likes of "guilt, hypocrisy, individualism, irresponsibility".
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