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"Mansions" was originally written for the 2002 film We Were Soldiers, and was performed by the United States Military Academy Glee Club and the Metro Voices. The hymn also served as the recessional in the 2004 funeral of President Ronald Reagan. That rendition was sung by the Armed Forces Chorus with the United States Marine Chamber Orchestra.
"Sgt. MacKenzie" is a lament written and sung by Joseph Kilna MacKenzie (1955-2009), [1] in memory of his great-grandfather who was killed in combat during World War I. It has been used in the 2002 movie We Were Soldiers and the ending scene of the 2012 film End of Watch.
We Were Soldiers is a 2002 American war film written and directed by Randall Wallace and starring Mel Gibson. Based on the book We Were Soldiers Once… and Young (1992) by Lieutenant General (Ret.) Hal Moore and reporter Joseph L. Galloway , it dramatizes the Battle of Ia Drang on November 14, 1965.
General H. Norman Schwarzkopf said, "We Were Soldiers Once...and Young is a great book of military history, written the way military history should be written." [ 7 ] Since at least 1993, the book has been on the Marine Corps Commandant's Reading List for Career Level Enlisted.
Some anti-war songs lament aspects of wars, while others patronize war.Most promote peace in some form, while others sing out against specific armed conflicts. Still others depict the physical and psychological destruction that warfare causes to soldiers, innocent civilians, and humanity as a whole.
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
The improvisatory material revolves around a core descending riff and bassline: the song opens with a Uni-Vibe-based guitar riff intended to mimic the sound of a firing machine gun. The bass and drum patterns then commence. The rather sparse lyrics, which differ in every performance, relate the point of view of a soldier fighting in war:
Oh! we don't want to lose you but we think you ought to go For your King and your Country both need you so; We shall want you and miss you but with all our might and main We shall cheer you, thank you, kiss you When you come back again. Chorus (to be sung after each refrain): Oh! we don't want to lose you but we think you ought to go