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The first color photograph made by the three-color method suggested by James Clerk Maxwell in 1855, taken in 1861 by Thomas Sutton. The subject is a colored ribbon, usually described as a tartan ribbon. Color photography is photography that uses media capable of capturing and reproducing colors.
View from the Window at Le Gras 1826 or 1827, believed to be the earliest surviving camera photograph. [1] Original (left) and colorized reoriented enhancement (right).. The history of photography began with the discovery of two critical principles: The first is camera obscura image projection, the second is the discovery that some substances are visibly altered by exposure to light. [2]
Wire-Photos are in wide use in Europe by 1910, and transmitted to other continents by 1922. 1907 – The Autochrome plate is introduced. It becomes the first commercially successful color photography product. 1908 – Kinemacolor, a two-color process known as the first commercial "natural color" system for movies, is introduced.
Autochrome is an additive color [6] "mosaic screen plate" process. The medium consists of a glass plate coated on one side with a random mosaic of microscopic grains of potato starch [7] dyed red-orange, green, and blue-violet (a variant of the standard red, green, and blue additive colors); the grains of starch act as color filters.
In an attempt to create more realistic images, photographers and artists would hand-colour monochrome photographs. The first hand-coloured daguerreotypes are attributed to Swiss painter and printmaker Johann Baptist Isenring , who used a mixture of gum arabic and pigments to colour daguerreotypes soon after their invention in 1839. [ 2 ]
Still from test film made by Edward Turner in 1902, as secret technology. Color motion picture film refers both to unexposed color photographic film in a format suitable for use in a motion picture camera, and to finished motion picture film, ready for use in a projector, which bears images in color.
Before Kodachrome film was marketed in 1935 most color photography had been achieved using films that employed additive color methods and materials, such as Autochrome and Dufaycolor, [9] These first practical color processes had several disadvantages because they used a Réseau filter made from discrete color elements that were visible upon enlargement.
Kinemacolor faced several issues, including its inability to reproduce the full color spectrum due to being a two-colour process. Other issues included eye strain and frame parallax because it used a successive frame process, as well as the need for a special projector. The color filters absorbed so much light that studios had to be built open-air.