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The Lotus 79 is a Formula One car designed in late 1977 by Colin Chapman, Geoff Aldridge, Martin Ogilvie, Tony Rudd, Tony Southgate and Peter Wright of Lotus. The Lotus 79 was the first F1 car to take full advantage of ground effect aerodynamics. Over the span of its lifetime, the Lotus 79 took 7 wins, 10 pole positions, 121 points and won the ...
For 1977, Lotus retained Nilsson alongside Andretti, and the pair worked on developing the new ground-effect Lotus 78. After a slow start to the season, as Andretti took over his car for the Argentine Grand Prix, Nilsson really got going at Jarama with a 5th place. Two races later, he took a magnificent win at the rain-soaked Zolder.
The Lotus 78 was a Formula One racing car used in the 1977 and 1978 seasons. It was designed by Peter Wright , Colin Chapman , Martin Ogilvie and Tony Rudd , and was the first ground effect car in Formula One.
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The following is a list of films produced and/or released by Columbia Pictures in 1970–1979. Most films listed here were distributed theatrically in the United States by the company's distribution division, Sony Pictures Releasing (formerly known as Columbia TriStar Film Distributors International) (1991–2005) and Warner-Columbia Films [1971-1987; a joint venture with Warner Bros.).
March 11, 1977: Airport '77: May 13, 1977: The Car: co-production with Hollywood Road Films May 27, 1977: Smokey and the Bandit: co-production with Rastar: June 15, 1977: Rollercoaster: June 24, 1977: Sorcerer [N 4] co-production with Paramount Pictures and Film Properties International N.V. July 8, 1977: MacArthur: July 22, 1977: The Last ...
After spending the 1977 season with Tyrrell, he moved back to Lotus for the 1978 season as number two driver to Mario Andretti. Peterson scored two wins, at the South African and Austrian Grand Prix races, and finished second in the Drivers' Championship standings despite his fatal first-lap accident at Monza during the Italian Grand Prix .
[10] O'Connor's year end review of 1977 television referred to 79 Park Avenue and Aspen as "dumb pot-boilers" which "tarnished considerably" the "promising concept of mini-series." [11] That the series might be somewhat controversial due to the sexual nature of the story was known from the beginning.