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Sony released the following E-mount cameras since 2010. The E stands for the Eighteen mm flange distances of the E-mount cameras. Depending on type and model E-mount cameras are part of the Sony α, SmartShot, Handycam, NXCAM or XDCAM systems. List of Sony E-mount cameras:
Sony NEX-5 E-mount. The BabE-mount is a lens mount designed by Sony for their NEX ("New E-mount eXperience" [1]) and ILCE series of camcorders and mirrorless cameras. [2] The E-mount supplements Sony's α mount, allowing the company to develop more compact imaging devices while maintaining vignetting with 35mm sensors. E-mount achieves this by:
The Sony FE 28-70mm F3.5-5.6 OSS is a full-frame (FE) variable maximum aperture standard zoom lens for Sony E-mount, announced by Sony on October 16, 2013. [ 1 ] [ 2 ] It was the first kit lens for Sony's full-frame E-mount (FE) system, [ 3 ] and was released on the same day as the Sony α7 and Sony α7R .
Download as PDF; Printable version; In other projects Wikidata item; Appearance. move to sidebar hide. Help ... List of Sony α cameras; Sony E-mount; Sony ILCE camera;
E-mount or E mount may refer to: Sony E-mount (part of α (Alpha), Handycam, NXCAM, XDCAM, Cyber-shot and SmartShot families), a fully electronic bayonet lens mount for mirrorless digital system cameras introduced by Sony in 2010; Hasselblad E-mount, the same camera mount since 2013; Carl Zeiss E-mount (ZA), lenses designed for E-mount cameras
In Sony digital cameras, the acronym ILCE stands for "Interchangeable Lens Camera with E-mount". In August 2013, Sony announced [ 1 ] the first model of the ILCE mirrorless camera with E-mount , electronic viewfinder , contrast-detection autofocus and Multi Interface Shoe , the ILCE-3000.
The B4-mount is used by practically all 2/3" broadcast lenses and cameras (as of 2019). Although the standard was set in 1992, the B4 mount already existed before 1980. The Sony BVP-300, produced from 1978, was possibly the first camera with a B4 mount. Further, all Sony Betacam cameras had a B4 mount. [2]
Wide open the lens is rather soft but stopping down to f / 5.6 yields very sharp results. That way portraits shot wide open render soft with a very nice bokeh. [3]Distortion is very low and vignetting negligible, but the culprit of this lens is chromatic aberration which is very strong wide open and becomes acceptable only by stopping down towards f / 5.6.