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Fidelio itself, which Beethoven began in 1804 immediately after giving up on Vestas Feuer, was first performed in 1805 and was extensively revised by the composer for subsequent performances in 1806 and 1814. Although Beethoven used the title Leonore, oder Der Triumph der ehelichen Liebe ("Leonore, or The Triumph of Married Love"), the 1805 ...
April 7 – Beethoven's Symphony No. 3, Eroica, has its public premiere at the Theater an der Wien in Vienna under his baton, marking the beginning of his middle period. November 20 – Beethoven's only opera Fidelio in its original form (known retrospectively as Leonore) is premiered at the Theater an der Wien in Vienna.
Jean-Nicolas Bouilly (24 January 1763 – 14 April 1842) was a French playwright, librettist, children's writer, and politician of the French Revolution.He is best known for writing a libretto, supposedly based on a true story, about a woman who disguises herself as a man to rescue her husband from prison, which formed the basis of Beethoven's opera Fidelio as well as a number of other operas.
Bouilly's work was, with regard to the subject matter, a model for the composers Paër's Leonora 1804 and Mayr's L'amor coniugale 1805. Joseph Sonnleithner presented a translation of the original in German, which in turn inspired Beethoven to write his operas Leonore (1805, 1806) and Fidelio (1814).
Leonora, ossia L’amore coniugale (Leonora or Conjugal Love) is an opera (specifically a dramma semiserio) in two acts by the Italian composer Ferdinando Paer.The libretto, by Giovanni Schmidt, is based on Léonore, ou L'amour conjugal (1794) by Jean-Nicolas Bouilly, which was also the source of Beethoven's Fidelio.
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The Violin Concerto in D major, Op. 61, was written by Ludwig van Beethoven in 1806. Its first performance by Franz Clement was unsuccessful and for some decades the work languished in obscurity, until revived in 1844 by the then 12-year-old violinist Joseph Joachim with the orchestra of the London Philharmonic Society conducted by Felix Mendelssohn.
Beethoven’s Opus 12 Violin Sonatas: On the Path to His Personal Style, in The Beethoven Violin Sonatas: History, Criticism, Performance, ed. by Lewis Lockwood, Urbana 2004, pp. 5–23; Die Skizzen zu Beethovens Cellosonate op. 69, in Beethovens Werke für Klavier und Violoncello. Bericht über die Internationale Fachkonferenz Bonn, 18. – 20.
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