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Dominican Republic. 45. (24) *Club domestic league appearances and goals, correct as of 3 December 2016. Jonathan Rafael Faña Frías (born 11 April 1987) is a Dominican former professional footballer who played as a forward. [1] Faña is the all-time international top goalscorer of the Dominican Republic national football team with 24 goals.
List of set classes. Ninth chord. Open chord. Passing chord. Primary triad. Quartal chord. Root (chord) Seventh chord. Synthetic chord.
I–V–vi–IV chord progression in C Play ⓘ. vi–IV–I–V chord progression in C Play ⓘ. The I–V–vi–IV progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale. For example, in the key of C major, this progression would be C–G–Am–F. [1 ...
Syzygium samarangense is a tropical tree growing to 12 m (39 ft) tall, with evergreen leaves 10–25 cm (4–10 in) long and 5–10 cm (2–4 in) broad. The leaves are elliptical, but rounded at the base; they are aromatic when crushed. The trunk is relatively short, with a wide – yet open – crown starting low on the tree.
Syzygium jambos is a large shrub or small-to-medium-sized tree, typically 3 to 15 metres (10 to 49 feet) high, with a tendency to low branching. Its leaves and twigs are glabrous and the bark, though dark brown, is fairly smooth too, with little relief or texture. The leaves are lanceolate, 2 to 4 centimetres ( to inches) broad, 10 to 20 cm (4 ...
Forte no. / Complement. 3-9 / 9-9. A suspended chord (or sus chord) is a musical chord in which the ( major or minor) third is omitted and replaced with a perfect fourth or a major second. [ 1 ] The lack of a minor or a major third in the chord creates an open sound, while the dissonance between the fourth and fifth or second and root creates ...
List of chord progressions. The following is a list of commonly used chord progressions in music . Mix. I–IV– ♭ VII–IV. Mix. Mix. Mix. Omnibus progression. Mix.
Quintal harmony (the harmonic layering of fifths specifically) is a lesser-used term, and since the fifth is the inversion or complement of the fourth, it is usually considered indistinct from quartal harmony. Because of this relationship, any quartal chord can be rewritten as a quintal chord by changing the order of its pitches.