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Believed to be the same woman as in La Bulaqueña. The María Clara gown, historically known as the traje de mestiza during the Spanish colonial era, [1] [2] is a type of traditional dress worn by women in the Philippines. It is an aristocratic version of the baro't saya. It takes its name from María Clara, the mestiza protagonist of the novel ...
A Philippine lady, 1897 1890s woman wearing the Maria Clara dress. The clothing style and fashion sense of the Philippines in the modern-day era have been influenced by the indigenous peoples, Chinese waves of immigration, the Spaniards, and the Americans, as evidenced by the chronology of events that occurred in Philippine history.
Baro't saya. La Bulaqueña, an 1895 painting by Juan Luna of an upper class woman from Bulacan wearing a traje de mestiza. The painting is sometimes referred to as the " María Clara " due to the woman's dress. The baro’t saya or baro at saya (literally "blouse and skirt") is a traditional dress ensemble worn by women in the Philippines.
The 1960s were an age of fashion innovation for women. The early 1960s gave birth to drainpipe jeans and capri pants, a style popularized by Audrey Hepburn. [ 6] Casual dress became more unisex and often consisted of plaid button down shirts worn with slim blue jeans, comfortable slacks, or skirts.
Monique Lhuillier (born September 15, 1971) is a Filipino fashion designer and creative director known for her bridal, ready-to-wear and lifestyle brand. She launched her eponymous brand in 1996 and has since established fashion houses in Los Angeles, California, where she primarily works and lives, [ 1] as well as in Manhattan 's Upper East ...
The patadyong (pronounced pa-tad-jóng, also called patadyung, patadjong, habol, or habul ), is an indigenous Philippine rectangular or tube-like wraparound skirt worn by both men and women of the Visayas islands and the Sulu Archipelago, similar to the Malong, or Sarong. It was also historically worn in parts of Luzon like Pampanga and Sorsogon.
Ifugao women in Banaue wearing alampay. The Tapis has been in use in the Philippine archipelago since at least the indigenous period before the arrival of Europeans. Spanish chroniclers from the period noted that this mode of dress remained common on many islands despite Spanish efforts to introduce what they considered more suitable clothing.
Women in the pre-colonial Philippines enjoyed nearly equal status with men. Prior to colonization, both men and women could get a divorce for the following reasons: failure to meet family obligations, childlessness, and infidelity. Children, regardless of gender, and properties were equally divided in a divorce.