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2. Fascinator - Wikipedia

   en.wikipedia.org/wiki/Fascinator

   A fascinator is a formal headpiece, a style of millinery. Since the 1990s, the term has referred to a type of formal headwear worn as an alternative to the hat; it is usually a large decorative design attached to a band or clip. In contrast to a hat, its function is purely ornamental: it covers very little of the head and offers little or no ...

3. Our Favorite Kentucky Hat for the 2024 Races - AOL

   www.aol.com/favorite-kentucky-hat-2024-races...

   Orange and Pink Feather Fascinator. The Derby is about going all out! From fancy to drinks to fancy looks, this fascinator is an easy way to stand out in the crowd. Instead of a headband, it's ...

4. List of hat styles - Wikipedia

   en.wikipedia.org/wiki/List_of_hat_styles

   Fascinator: A small hat commonly made with feathers, flowers and/or beads. [6] It attaches to the hair by a comb, headband or clip. Fedora: A soft felt hat with a medium brim and lengthwise crease in the crown. Fez: Red felt hat in the shape of a truncated cone, common to Arab-speaking countries. Flat cap

5. Birds of a Feather (Billie Eilish song) - Wikipedia

   en.wikipedia.org/wiki/Birds_of_a_Feather_(Billie...

   "Birds of a Feather" is a song by American singer-songwriter Billie Eilish. It impacted US contemporary hit radio on July 2, 2024, as the second single from her third studio album, Hit Me Hard and Soft, through Darkroom and Interscope Records. The song explores themes of deep love and a desire for lasting connection.

6. Fancy fascinators and prickly pears: Africa's top shots - AOL

   www.aol.com/fancy-fascinators-prickly-pears...

   Fancy fascinators and prickly pears: Africa's top shots. July 11, 2024 at 8:51 PM. A selection of the week's best photos from across the African continent: Nigerian singer-songwriter Tems takes to ...

7. Feather (song) - Wikipedia

   en.wikipedia.org/wiki/Feather_(song)

   "Feather" is a pop and neo-disco song, [4] [20] which lasts for three minutes and five seconds. [21] Ryan produced, programmed, and engineered the song. Chris Gehringer mastered it at Sterling Sound in New York City, and Josh Gudwin helmed mixing with assistance from Heidi Wang. [10]