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Box office. $30 million [ 3] White Christmas is a 1954 American musical film directed by Michael Curtiz and starring Bing Crosby, Danny Kaye, Rosemary Clooney, and Vera-Ellen. Filmed in Technicolor, it features the songs of Irving Berlin, including a new version of the title song, "White Christmas", introduced by Crosby in the 1942 film Holiday ...
"Nothing's Gonna Stop Us Now" is a song co-written by Diane Warren and Albert Hammond [4] and recorded by American rock band Starship for their second studio album, No Protection (1987). It is a power ballad [ 5 ] duet featuring vocalists Grace Slick and Mickey Thomas and is the theme to the romantic-comedy film Mannequin .
The Bodyguard: Original Soundtrack Album is a soundtrack album from the film of the same name, released on November 17, 1992, by Arista Records. The album's first side (in its original LP and cassette formats) features songs recorded by American singer Whitney Houston, who starred in the film, while side two features the work of various artists ...
Jon Bon Jovi, at a Thank You, Goodnight: The Bon Jovi Story screening in NYC on April 25. (Theo Wargo/Getty Images) (Theo Wargo via Getty Images) Jon Bon Jovi has “no desire” to join the trend ...
White Christmas (song) " White Christmas " is an Irving Berlin song reminiscing about an old-fashioned Christmas setting. The song was written by Berlin for the 1942 musical film Holiday Inn. The composition won the Academy Award for Best Original Song at the 15th Academy Awards. Bing Crosby's record topped the Billboard chart for 11 weeks in ...
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United States. Language. English. Budget. $3.5 million. Box office. $8.1 million. Fresh is a 1994 American crime drama film written and directed by Boaz Yakin in his directorial debut, and produced by Randy Ostrow and Lawrence Bender. It was scored by Stewart Copeland, a member of the Police.
Live to Tell. " Live to Tell " is a song by American singer Madonna included on her third studio album, True Blue (1986). Conceived as an instrumental by producer Patrick Leonard for the score of Paramount 's film Fire with Fire (1986), the studio rejected it, deeming it unfit for the movie. Leonard then presented the track to Madonna, who ...