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Charles Rennie Mackintosh (7 June 1868 – 10 December 1928) was a Scottish architect, designer, water colourist and artist. His artistic approach had much in common with European Symbolism . His work, alongside that of his wife Margaret Macdonald , was influential on European design movements such as Art Nouveau and Secessionism and praised by ...
They were the painter and glass artist Margaret MacDonald, acclaimed architect Charles Rennie Mackintosh (MacDonald's husband), MacDonald's sister Frances and Herbert MacNair. [3] Together, The Four defined the Glasgow Style's fusion of influences including the Celtic Revival , the Arts and Crafts Movement , and Japonisme , which found favour ...
Frances MacDonald and Herbert MacNair married in 1899, and Margaret MacDonald and Charles Rennie Mackintosh married in 1900. Although all were great artists in their own right, MacDonald Mackintosh stood out in the field of painting; she greatly influenced Mackintosh and he praised her as a genius.
The Glasgow School of Art, considered one of the greatest designs of Charles Rennie Mackintosh. The most significant Scottish architect of the early twentieth century, having a considerable influence on European architecture, was Charles Rennie Mackintosh (1868–1928).
John Honeyman allocated the job to his young, talented, trainee architect, Charles Rennie Mackintosh. The site was an awkward one, being on a corner plot and butted by tenements and a large warehouse. In keeping with their beliefs, the Free Church required simplicity in design.
The most important grouping, active from about 1890 and known as "The Four" or the "Spook School", was composed of acclaimed architect Charles Rennie Mackintosh (1868–1928), his wife the painter and glass artist Margaret MacDonald (1865–1933), her sister the artist Frances (1873–1921), and her husband, the artist and teacher Herbert ...
At the time, Charles Rennie Mackintosh was a senior assistant in the practice and his influence can be seen in the building, especially in the details. It was built largely of red sandstone, as were many of Glasgow’s public buildings of this period, and has many hints of Scotland’s architectural heritage. Inside there is a light central ...
The most famous of its buildings was designed by Charles Rennie Mackintosh in phases between 1896 and 1909. The eponymous Mackintosh Building soon became one of the city's iconic landmarks, of international fame. It is a pioneer of the Modern Style (British Art Nouveau style).
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