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Detail from Clara Peeters's "still life".. James N. Hogue, writing in the Encyclopedia of Insects, lists the following reasons behind musca depicta: as a jest; to symbolize the worthiness of even minor "objects of creation"; as an exercise in artistic privilege; as an indication that the portrait is post mortem; and as an imitation of works of previous painters. [1]
Gustav René Hocke drew parallels between Arcimboldo, Salvador Dalí, and Max Ernst's works. A volume monograph of B. Geyger and the book by F. Legrand and F. Xu were published in 1954. Since 1978 T. DaCosta Kaufmann was engaged in Arcimboldo's heritage, and wrote of the artist defending his dissertation "Variations on an imperial subject".
This list of wildlife artists is a list for any notable wildlife artist, wildlife painter, wildlife photographer, other wildlife artist, society of wildlife artists, ...
A. Adam and Eve (Dürer) Adam and Eve (Tamara de Lempicka) Adam and Eve (Tintoretto) Adam and Eve (Valadon) Adam and Eve (Cranach) Adam and Eve in the Garden of Eden
Thousands of artists — ranging from the late Norman Rockwell to the Oscar-nominated director Wes Anderson — have been named in a widely circulated list of people whose work was used to train a ...
This is a list by date of birth of historically recognized American fine artists known for the creation of artworks that are primarily visual in nature, including traditional media such as painting, sculpture, photography, and printmaking, as well as more recent genres, including installation art, performance art, body art, conceptual art, digital art and video art.
Stephen Wiltshire MBE, Hon.FSAI, Hon.FSSAA (born 24 April 1974) is a British architectural artist and autistic savant. [1] He is known for his ability to draw a landscape from memory after seeing it just once. His work has gained worldwide popularity. In 2006, Wiltshire was made a Member of the Order of the British Empire (MBE) for services to ...
Museum of Modern Art, New York City, United States [8] 1937 Cactus Fruits: Tunas: Oil on metal, 20 x 24 cm Robert Holmes Collection, Perth, Australia 1937 Fulang-Chang and I: Fulang-Chang y yo: Oil on masonite, 40 x 28 cm Museum of Modern Art, New York City, United States 1937 I Belong to My Owner: Pertenezco a mi dueño: Oil on canvas ...