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Frank Farnum coaching Pauline Starke to dance Charleston. The Charleston is a dance named after the harbor city of Charleston, South Carolina.The rhythm was popularized in mainstream dance music in the United States by a 1923 tune called "The Charleston" by composer/pianist James P. Johnson, which originated in the Broadway show Runnin' Wild and became one of the most popular hits of the decade.
The song has been used in a number of films set in the 1920s. Ginger Rogers dances to the music in the film Roxie Hart (1942). [7] In the movies Margie (1946) and It's a Wonderful Life (1946), the song is played during school dance scenes. [8] In the movie Tea for Two (1950), with Doris Day and Gordon MacRae, the song is a featured production ...
Swing dance is a group of social dances that developed with the swing style of jazz music in the 1920s–1940s, with the origins of each dance predating the popular "swing era". Hundreds of styles of swing dancing were developed; those that have survived beyond that era include Charleston, Balboa, Lindy Hop, and Collegiate Shag.
1923 – "Charleston" [9] is a jazz orchestration for the Charleston dance, composed by James P. Johnson with lyrics by Cecil Mack. Introduced by Elisabeth Welch in the 1923 Broadway musical Runnin' Wild, [10] its success brought the Charleston dance to international popularity. [11]
1923 – "Charleston" [34] is a jazz orchestration for the Charleston dance, composed by James P. Johnson with lyrics by Cecil Mack. Introduced by Elisabeth Welch in the 1923 Broadway musical Runnin' Wild, [35] its success brought the Charleston dance to international popularity. [36]
The geechee dances that accompanied the music of the dock workers in Charleston followed a rhythm that inspired Eubie Blake's "Charleston Rag" and soon later James P. Johnson's "The Charleston", as well as the dance craze that defined a nation in the 1920s.
The transition from Charleston to Lindy Hop was facilitated by the Breakaway, a partner dance which introduced the 'Swing out' and 'open position' of dances such as the Texas Tommy to the 'closed position' and footwork of partnered Charleston. [2] As jazz music in the late 1920s changed, so did jazz dances, including the Lindy Hop.
Spearheaded the Charleston dance craze. Stop Flirting London production opened at the Shaftesbury Theatre on May 30 and ran for 418 performances; Wildflower Broadway production opened at the Casino Theatre on February 7 and ran for 477 performances; The Jilts by Philip Barry, won the Herndon Prize in 1922 as the best drama.