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Nefertiti (/ ˌ n ɛ f ər ˈ t iː t i / [3]) (c. 1370 – c. 1330 BC) was a queen of the 18th Dynasty of Ancient Egypt, the great royal wife of Pharaoh Akhenaten.Nefertiti and her husband were known for their radical overhaul of state religious policy, in which they promoted the earliest known form of monotheism, Atenism, centered on the sun disc and its direct connection to the royal household.
The Bibliotheca Alexandrina’s 100 , [1] Greatest Egyptian Films is a list compiled in November 2006 by a committee formed by Bibliotheca Alexandrina, which includes Ahmed El Hadari as the committee head, with the membership of Samir Farid and Kamal Ramzi.
The most definitive inscription attesting to Neferneferuaten is a long hieratic inscription or graffito in the tomb of Pairi written by a scribe named Pawah: Regnal year 3, third month of Inundation, day 10. The King of Upper and Lower Egypt, Lord of the Two Lands Ankhkheperure Beloved of Aten, the Son of Re Neferneferuaten Beloved of Waenre.
Year Title Director Notes 1960 Cleopatra's Daughter: Il sepolcro dei re 1960 Giuseppe venduto dai fratelli: 1960 Son of Samson: 1960 The Pharaohs' Woman: 1961 Nefertiti, regina del Nilo: 1962 Toto vs. Maciste: 1962 A Queen for Caesar: Piero Pierotti and Victor Tourjansky Italian film, starring Pascale Petit: 1963 Cleopatra: Joseph L. Mankiewicz
The following is a list of Egyptian films. The year order is split by decade. The year order is split by decade. For an alphabetical list of films currently on Wikipedia, see Category:Egyptian films .
Since Lady Gaga's "Bad Romance" in 2009, every video that has reached the top of the "most-viewed YouTube videos" list has been a music video. In November 2005, a Nike advertisement featuring Brazilian football player Ronaldinho became the first video to reach 1,000,000 views. [ 1 ]
Nefertari, also known as Nefertari Meritmut, was an Egyptian queen and the first of the Great Royal Wives (or principal wives) of Ramesses the Great.She is one of the best known Egyptian queens, among such women as Cleopatra, Nefertiti, and Hatshepsut, and one of the most prominent not known or thought to have reigned in her own right.
In the 1950s, Egypt's cinema industry was the world's third largest. [22] [23] As in the West, films responded to the popular imagination, with most falling into predictable genres (happy endings being the norm), and many actors making careers out of playing strongly typed parts. In the words of one critic, "If an Egyptian film intended for ...