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"Jesus is Lord" (Greek: Κύριος Ἰησοῦς, romanized: Kýrios Iēsoûs) is the shortest credal affirmation found in the New Testament, one of several slightly more elaborate variations. [1] It serves as a statement of faith for the majority of Christians who regard Jesus as both fully man and God .
The New Testament does contain the rudiments of an argument which provides a basis for religious images or icons. Jesus was visible, and orthodox Christian doctrine maintains that Jesus is YHWH incarnate. In the Gospel of John, Jesus stated that because his disciples had seen him, they had seen God the Father (Gospel of John 14:7-9 [20]).
God the Father turning the press and the Lamb of God at the chalice. Prayer book of 1515–1520. The image was first used c. 1108 as a typological prefiguration of the crucifixion of Jesus and appears as a paired subordinate image for a Crucifixion, in a painted ceiling in the "small monastery" ("Klein-Comburg", as opposed to the main one) at Comburg.
The Gospel of Matthew emphasizes that Jesus is the fulfilment of God's will as revealed in the Old Testament, and the Lord of the Church. [81] He is the "Son of David", a "king", and the Messiah. [80] [82] Luke presents Jesus as the divine-human saviour who shows compassion to the needy. [83]
The early Latter-Day Saint church printed its first images of Jesus as a white man with blue eyes. According to Blum and Harvey, the blue eyes may have been intended to bolster Mormonism's image of whiteness and Americanness, distinguishing it from Protestant faiths. [46]
Protestant art continued the now-standard depiction of the physical appearance of Jesus. Meanwhile, the Catholic Counter-Reformation re-affirmed the importance of art in assisting the devotions of the faithful, and encouraged the production of new images of or including Jesus in enormous numbers, also continuing to use the standard depiction.
Luke 1:31 states: "... bring forth a son, and shalt call his name JESUS." [11] In the New Testament the name Jesus is given both in the Gospel of Luke and the Gospel of Matthew, and Emmanuel only in Matthew. In Luke 1:31 an angel tells Mary to name her child Jesus, and in Matthew 1:21 an angel tells Joseph to name the child Jesus.
Stained glass from Dalhem Church, Sweden (c. 1240) The Flagellation of Christ, in art sometimes known as Christ at the Column or the Scourging at the Pillar, is an episode from the Passion of Jesus as presented in the Gospels. As such, it is frequently shown in Christian art, in cycles of the Passion or the larger subject of the Life of Christ.
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