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This is probably the most reproduced of all Fra Angelico's paintings. Virgin Enthroned with Four Saints; in the Dormitory passage; In The Annunciation, the interior reproduces that of the cell in which it is located. Each cell is decorated with a fresco which matches in size and shape of the single round-headed window beside it.
The San Marco Altarpiece (also known as Madonna and Saints) is a painting by the Italian early Renaissance painter Fra Angelico, housed in the San Marco Museum of Florence, Italy. It was commissioned by Cosimo de' Medici the Elder , and was completed sometime between 1438 and 1443.
The Fiesole Altarpiece is a painting by the Italian early Renaissance master Fra Angelico, executed around 1424–1425. It is housed in the Convent of San Domenico, Fiesole , central Italy . The background was repainted by Lorenzo di Credi in 1501.
All Saints' Day, also known as All Hallows' Day, [3] the Feast of All Saints, [4] [5] the Feast of All Hallows, [6] the Solemnity of All Saints, [6] and Hallowmas, [6] [7] is a Christian solemnity celebrated in honour of all the saints of the Church, whether they are known or unknown.
The two male saints were both Dominicans. A similar fresco from c.1438 of the Madonna and Child with St Dominic and St Peter Martyr by the same artist survives above the doorway of the church of San Domenico in Cortona, whilst the same artist's Crucifixion with Mourners and St Dominic (Louvre) originated at San Domenico in Fiesole. [2]
Annalena Altarpiece with predella by Fra Angelico, c. 1438–40 (frame removed), sometimes considered the "first" instance of the sacra conversazione format [1]. In art, a sacra conversazione (Italian: [ˈsaːkra koɱversatˈtsjoːne]; plural: sacre conversazioni), meaning "holy (or sacred) conversation", is a genre developed in Italian Renaissance painting, with a depiction of the Virgin and ...
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The pavement is decorated with marble tarsia, already used by Fra Angelico in earlier works such as the San Pietro Martire Triptych (1428–1429). The saint's figures are less monumental than in the later Tabernacle of the Lanaioli (1433–1435). Behind them is a table, covered by a brocade drape decorated in gold, over which is St. Nicholas ...