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Visitors in contemporary art museums were more motivated by a more emotional connection to the art, and went more for the pleasure than a learning experience. [19] Predictors of who would prefer to go to which type of museum lay in education level, art fluency, and socio-economic status.
"The essential premise of the show," according to Nigel Spivey, "is that of all the defining characteristics of humanity as a species, none is more basic than the inclination to make art. Great apes will smear paint on canvas if they are given brushes and shown how, but they do not instinctively produce art any more than parrots produce ...
Ancient Greeks focused on the aesthetic form of the ideal human body. [14] captured through the art. [15] Sculptures were initially inspired by the monumental art of the Ancient Egyptians. [14] Sculptures were considered at their peak of aesthetics when the human form was captured in a unique way and emphasized a divine or godlike quality.
Greek art emphasized humanism along with the human mind and the human body's beauty. [8] Greek youths trained and competed in athletic contests in the nude. A great contribution to the contrapposto pose was the concept of a canon of proportions, in which mathematical properties are used to create proportions. [9]
The more recent and specific sense of the word art as an abbreviation for creative art or fine art emerged in the early 17th century. [18] Fine art refers to a skill used to express the artist's creativity, or to engage the audience's aesthetic sensibilities, or to draw the audience towards consideration of more refined or finer works of art.
Art has aesthetic standing only as it becomes an experience for human beings. Art intensifies the sense of immediate living, and accentuates what is valuable in enjoyment. Art begins with happy absorption in activity. Anyone who does his work with care, such as artists, scientists, mechanics, craftsmen, etc., are artistically engaged.
Having taught us in this treatise all the symmetries of the body, Polykleitos ratified the text with a work, having made a statue of a man according to the postulates of his treatise, and calling the statue, like the treatise, the Canon. Since then, all philosophers and doctors accept that beauty lies in the adequate proportion of the parts of ...
Addressing the issue of what makes, for example, Marcel Duchamp's "readymades" art, or why a pile of Brillo cartons in a supermarket is not art, whereas Andy Warhol's famous Brillo Boxes (a pile of Brillo carton replicas) is, the art critic and philosopher Arthur Danto wrote in his 1964 essay "The Artworld":