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A Chinese porcelain tea caddy. A tea caddy is a box, jar, canister, or other receptacle used to store tea. When first introduced to Europe from Asia, tea was extremely expensive, and kept under lock and key. The containers used were often expensive and decorative, to fit in with the rest of a drawing-room or other reception room.
Michael Frimkess (born January 8, 1937) is an American ceramic artist who lives in Venice, California. In the 1950s and 60s, he was a pupil of Peter Voulkos, a prominent figure in the California Clay Movement. Frimkess' pottery is noted for its classical style, employing forms from Greek, Chinese, and Indigenous American antiquity.
Shiwan wares provide a contrast with more conservatively rendered Dehua efforts. Clay for the ware was provided not only from the local area, but also from distant locations that could be mixed to provide a variety of textures and desired ceramic outcomes. The range could extend from a porcelain, rivalling Dehua in purity, to a rough stoneware ...
From the Ming dynasty, porcelain objects were manufactured that achieved a fusion of glaze and body traditionally referred to as "ivory white" and "milk white". The special characteristic of Dehua porcelain is the very small amount of iron oxide in it, allowing it to be fired in an oxidising atmosphere to a warm white or pale ivory colour.
Made in the 1950s, this ceramic and porcelain jar is an antique collector’s dream, especially if you collect vintage kitchenware. Some are currently on sale for roughly $380 . 7.
In the 1650s and '60s, as Amsterdam flourished as a hub of commerce and politics, Kalf perfected the pronk (display) still life to exhibit its prosperity. Using an arrangement of objects generally extremely similar to the ones in Still Life with a Chinese Porcelain Jar, depicted with a rich, velvety atmosphere and glistening light, Kalf captured his city's wealth for all to admire. [3]
Medieval stoneware remained a much-exported speciality of Germany, especially along the Rhine, until the Renaissance or later, typically used for large jugs, jars and beer-mugs. "Proto-stoneware", such as Pingsdorf ware , and then "near-stoneware" was developed there by 1250, and fully vitrified wares were being produced on a large scale by ...
Clarice Cliff (20 January 1899 – 23 October 1972) was an English ceramic artist and designer. Active from 1922 to 1963, Cliff became the head of the Newport Pottery factory creative department. Active from 1922 to 1963, Cliff became the head of the Newport Pottery factory creative department.
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