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"You Don't Love Me Anymore" is a song by American recording artist "Weird Al" Yankovic. It was released as the second single from his seventh studio album Off the Deep End on June 19, 1992. While much of his musical output consists of parodies of other artists' material, "You Don't Love Me Anymore" is an original composition written and ...
It does not accurately represent the chord progressions of all the songs it depicts. It was originally written in D major (thus the progression being D major, A major, B minor, G major) and performed live in the key of E major (thus using the chords E major, B major, C♯ minor, and A major). The song was subsequently published on YouTube. [9]
Pressing a key on the keyboard makes the instrument produce sounds—either by mechanically striking a string or tine (acoustic and electric piano, clavichord), plucking a string (harpsichord), causing air to flow through a pipe organ, striking a bell , or activating an electronic circuit (synthesizer, digital piano, electronic keyboard).
"How Come U Don't Call Me Anymore?" is a song by Prince. It is a ballad of romantic longing with some gospel elements. On his original recording of the song, which was released as the non-album B-side to his 1982 single "1999", Prince performs most of the song in his falsetto range, with his own bluesy piano playing providing the only instrumental accompaniment.
Ferlin Husky cut a version of the song. Hank Williams, Jr. and Lois Johnson recorded the song as a duet. Waylon Jennings recorded the tune for his 1992 Williams tribute LP. The song appears on the 1995 Willie Nelson box set A Classic and Unreleased Collection.
They vote in very small percentages. Why, I don’t know. Maybe they’re disappointed in things that are happening,” Trump said. “I say, ‘You don’t vote. I’m saying go out, you must ...
Funk emphasizes the groove and rhythm as the key element, so entire funk songs may be based on one chord. Some jazz-funk songs are based on a two-, three-, or four-chord vamp. Some punk and hardcore punk songs use only a few chords. On the other hand, bebop jazz songs may have 32-bar song forms with one or two chord changes every bar.
Minor chords are noted with a dash after the number or a lowercase m; in the key of D, 1 is D major, and 4- or 4m would be G minor. Often in the NNS, songs in minor keys will be written in the 6- of the relative major key. So if the song was in G minor, the key would be listed as B ♭ major, and G minor chords would appear as 6-.
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