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While the 1920s to 1940s are considered the heyday of modern art movements, there were conflicting nationalistic movements that resented abstract art, and Germany was no exception. Avant-garde German artists were now branded both enemies of the state and a threat to the German nation.
The House of German Art in Munich. The early twentieth century was characterized by startling changes in artistic styles. In the visual arts, such innovations as cubism, Dada and surrealism, following hot on the heels of Symbolism, post-Impressionism and Fauvism, were not universally appreciated.
Adolf Hitler during his speech at the opening of the 1st Great German Art Exhibition 1937. The Great German Art Exhibition, which spanned the first floor, the upper floor and the two-story "Hall of Honour" in the centre of the building, was promoted as the most important cultural event in Nazi Germany. The show was conceived as a sales ...
Elisabeth von Eicken (1862–1940) Andreas Eigner (1801–1870) Fritz Eisel (1929–2010) Felix Eisengräber (1874–1940) Marie Ellenrieder (1791–1863) Friedrich August Elsasser (1810–1845) Adam Elsheimer (1578–1610) Ludwig Elsholtz (1805–1850) Wilhelm Emelé (1830–1905) Edgar Ende (1901–1965) Sylvester Engbrox (born 1964)
The artists of the November Group kept the spirit of radicalism alive in German art and culture during the Weimar Republic. Many of the painters, sculptors, music composers, architects, playwrights, and filmmakers who belonged to it, and still others associated with its members, were the same ones whose art would later be denounced as ...
Pages in category "German art movements" The following 14 pages are in this category, out of 14 total. This list may not reflect recent changes. B. Beuron school;
An art movement is a tendency or style in art with a specific art philosophy or goal, ... German Romanticism, ... c. 1918 –1940s; Regionalism (art), c. 1930s –1940s;
Art critic Wieland Schmeid in 1977 posited that despite the fact that the terms were meant to refer to the same thing, the understanding of them as different groups derives from the fact that the movement had a right and left wing, with the Magic Realists on the right — many later supporting fascism or accommodating to it— and the verists ...